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Playlist: Music Station Picks for March '10

Compiled By: PRX Curators

 Credit: <a href="http://www.flickr.com/photos/57917705@N00/88699234/">Elisabeth D'Orcy</a>
Image by: Elisabeth D'Orcy 
Curated Playlist

Here are March picks for music stations from PRX Music Format Curator David Srebnik of Virtuoso Voices.

Find out what David listens for in music programming.

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Suggestions from David:

"Are you on Twitter? PRX is on Twitter — I've found it to be an invaluable programming resource, providing information and updates on new program that are available on PRX. It's like getting an instant update from PRX without having to go to the PRX site.

"One PRX Twitter feed contains a link to each new PRX piece.

"The second PRX feed tells you which programs have been bought in real time."

The Prince of Kosher Gospel

From Alex Goldmark | 00:04:13

This is terrific.

For radio professionals and lifelong radio learners, this is a template for the first-person vignette, audio postcard and radio story telling.

For your listeners, it’s a way in to meet Joshua Nelson, an African-American Jew (aka “The Prince of Kosher Gospel”), who brings additional soul to Jewish soul music.

Covers all of the musical and theological bases – like, how do you merge the gospel, or gospel music, with Jewish liturgical songs.

It would be a sin to only air this piece during Black History Month, Jewish History Month etc.

Highly recommended.

The Warsaw Village Band

From Feet in Two Worlds | 00:07:27

Ewa Kern-Jedrychowska profiles the contemporary music group from Poland, The Warsaw Village Band. Their music treads wonderfully on both sides of the Polish music tradition - creating an enchanting look into the past, while also moving the traditional harmonies and story telling forward by calling on a variety of "World Music" influences including Indian Ragas and a lot of American Blues.

Suitable for news/music stations, eclectic music and AAA formats. If there's a strong Polish community in your market...jackpot(!).

Earl Wild at the Concertgebouw Amsterdam

From Boyce Lancaster | 00:58:57

This is a recently produced bio of a music-maker and history-maker featuring rare performances by pianist Earl Wild. (He died January 23, 2010.)

Although pianist Earl Wild is rarely placed at the top of the list of keyboard giants from this or recent generations, he does own a place in music history and American history. (He played for six presidents and played the National Anthem at Eleanor Roosevelt’s frequent speaking events.)

WOSU Host Boyce Lancaster profiles Earl Wild's historic place and brand of musicianship in performances from a 2005 recital. This mostly music bio also includes Wild’s thoughts and reflections on his musical development and career path, including his fun, virtuosic but artful, piano transcriptions.

Technically, the performances (Beethoven, Albinoni, Chopin and Liszt) are, at times, uneven. But the Wild stamp, musical understanding and personality are all there.

Earl Wild was a serious musician who never pushed himself on the classical music world. But when that world called on him, he knew what and how to deliver.

Suitable for all stations with a classical music component – ideal for afternoons, evenings and all weekend long.

Valleys of Neptune Tribute to Jimi Hendrix

From Media Mechanics | 00:58:59

That ultimate musical question...what if the composers-who-died-too-young had lived longer, what would they have done next?

Rock legend and icon Jimi Hendrix died when he was 27 – what was next?

If you've only heard of him, but never heard him play...if you've only heard "Purple Haze," "Are You Experienced" or the Woodstock closing anthem, "Star Spangled Banner," then this program offers both plenty of welcome, and there's plenty of juice for Hendrix fans and those of your listeners hungry for substantial music.

"Valleys of Neptune" is the title track from a soon to be released CD, and the name of this Hendrix tribute program from Ben Manilla.

It answers the “what was next” question, laying out the new direction Hendrix was taking with his music.

Never-before-released songs are heard here -- some of which are on the “miss” side of “hit and miss”, but most often these new songs are within the "must hear" realm.

Family, friends, colleagues, mentors and engineers associated with this music (1969 - 1970) tell Jimi’s story, and it’s absolutely riveting.

I know this program will be a tough fit on some stations – the music does stand out...it isn't like a lot of music you hear today...it is loud...

You don’t have to be an old or middle-aged Hippie to feel and appreciate Hendrix, and your station might find that this showcase of innovative music from 1969-70 has a contemporary sound and place in 2010.

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The Chieftains

From Joyride Media | 00:59:01

"The reason the band stayed together is because everybody's different."

This is more of a documentary on the Chieftains and the ups, downs and historic development of Irish Music, than a St. Patrick's Day party.

Still, it's musically festive and fun, and the stories behind those ups and downs are interesting - making this a viable option for news stations with doc slots, and for any station with a world music or AAA component.

Many, many musical highlights, but Sting and the Chieftains singing the traditional Irish tune "Mo Ghile Mear" should set your table nicely, if not divinely. Ditto...Allison Krauss and "Molly Bán."

The program was originally produced in 2006, so there are a few outdated time references that are of minimal distraction.

More exceptional radio entertainment and expertise from Joyride Media.

The Orchestrion: Pat Metheny's One-Man Band

From John Diliberto | Part of the Echo Location: Soundings for New Music series | 00:03:30

When the antique and the quirky collide with the 21st century and high tech, you get something called the Orchestrion, a mechanical orchestra that sounds part Wurlitzer, part circus organ and part orchestra.

John Diliberto showcases a giant modern day version of the Orchestrion, an instrument that “flourished in the 19th and early 20th century” on this edition from the Echo Location: Soundings for New Music series.

"An orchestrion is a generic name for a machine that plays music and is designed to sound like an orchestra or band." (Wikipedia)

This piece does a good job of tracing the Orchestrion's history and background, shows off its oddities and somewhat bizarre leanings. But it is also an instrument capable of rising above the bizarre, especially when the Orchestrion is being orchestrated by guitar legend Pat Metheny.

As you'll hear.

That contrast between the instrument's cavalcade of cacophony and Metheny's artistry creates the real payoff.

Well written, assembled and produced – and all in 3:30. This merging of the old and unusual with our high tech fused society has the potential to make a good fit within your local programming containing an arts, music and high tech component.

But, I would not underestimate its pure entertainment component as well.

Beloved Clara

From L.A. Theatre Works | Part of the L.A. Theatre Works series | 01:57:59

One of Classical Music's more genuine, uplifting and intriguing love stories: Robert Schumann, his wife Clara Schumann and Johannes Brahms.

While the actual degree of consummation in the Clara Schumann and Johannes Brahms part of the love triangle cannot told with certainty, the love, admiration and inspiration coursing between all three is undeniable. This retelling of a threesome of musical love is based on letters and each of their other writings and journals.

The words, their presentation by members of the LA Theatre Works – interspersed with musical performance, are quite lovely, and will likely delight and engage your listeners.

Where and when to place this on your classical music format or news station?

With proper and frequent promotion, you can make it into a special event in the evening or on the weekend. With editing of internal features, you could air it over two successive days.

If your station has a regular documentary slot, this production will be right at home – and may serve as a bright contrast and change of pace to the other docs you regularly present.

The program's (optional) cutaways and features go on a bit too long to my taste, and are on the verge of taking us away from the story. I appreciate and admire the LATW's efforts and dedication to fill the standard radio hour with integrity; this is always a challenge.

I recommend you give the interview, feature and other interstitial materials a careful listen as you audition this program for broadcast.

This, and other productions by LA Theatre Works, reminded me there's still a time and place for radio drama on the radio when the subject, performance and imagination each rise to the heights heard here.

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