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Playlist: Slice of Life

Compiled By: Leigh Cooper

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Radio Curious (Series)

Produced by Barry Vogel

Most recent piece in this series:

Maximize and Maintain Range of Motion

From Barry Vogel | Part of the Radio Curious series | 29:01

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Bill Bracewell, a doctor of physical therapy practicing in Ukiah, California, for over 35 years is our guest on this edition of Radio Curious.  He and I visited in the Radio Curious studios on December 15, 2014.  We begin with Dr. Bracewell’s description of physical therapy:  maximize, restore and maintain range of movement. 

The book Dr. Bill Bracewell recommends is “The Thinking Body,” by Mable Elsworth Todd. 

 

WBEZ's Clever Apes (Series)

Produced by WBEZ

Most recent piece in this series:

Clever Apes: Nature and human nature

From WBEZ | Part of the WBEZ's Clever Apes series | 08:16

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First off, this episode is sort of a goodbye. I will be departing my beloved WBEZ shortly to strike out for new adventures. I’ll include my weepy valedictory at the bottom of this post. But the story this week is important, so before your attention wanders …

As kids, we usually learn about nature from a decidedly human point of view. The world exists in relation to us. People are the stars in this scenario: We are Hamlet, while nature is like Denmark – the place where we happen to be. The conventional wisdom has been that this is a universal way the mind develops its awareness of the natural world.

But an eclectic group of researchers are challenging that. The team is made up of psychologists from Northwestern University, and researchers from the Menominee Reservation and the American Indian Center of Chicago. They started looking carefully at the way Native and non-Native children come to learn about nature. They found some distinctive differences.

Namely, Native kids tend not to have that anthropocentric view in the early years. They come to see the biological world in terms of relationships and connections – what psychologists call “systems-level thinking.” Non-Native kids, on the other hand, generally think more in hierarchical categories like taxonomy – kingdom, phylum, species, etc. So the human-centered learning may not be universal after all, but instead flavored by the culture we grow up in. 

This goes deeper than just having different beliefs. The scientists say those distinctive worldviews actually change the way we think, learn and reason. Over the last decade or so, the team has been designing experiments to tease out the ramifications of that change. It has major consequences for education, 
and might (this is my speculation!) influence our attitudes about the environment.


So, this will be my final episode of Clever Apes. We are hopeful that it will continue in some form, so you may not have heard the last of WBEZ’s science experiment. Creating this series has been a rare privilege – I have had one of the greatest gigs in media. My deepest gratitude goes to my editor Cate Cahan, whose gusto and keen mind have long inspired me. Michael De Bonis has been a fantastic collaborator, friend and co-conspirator, without whom the Apes would be far less clever. And Sally Eisele has shown great vision (or folly) in supporting this weird project from the get-go. 

Encounters (Series)

Produced by Encounters: Radio Experiences in the North

Most recent piece in this series:

Encounters Mountain Sheep

From Encounters: Radio Experiences in the North | Part of the Encounters series | 29:00

Richard_and_thumper_small On this blustery day, head up the steepest mountains above the Alaska Highway near the Canadian border to get a super close up view of a group of Rams.

Snap Judgment hosted by Glynn Washington - Specials (Series)

Produced by Snap Judgment

Most recent piece in this series:

Snap Judgment #503: Joy And Pain

From Snap Judgment | Part of the Snap Judgment hosted by Glynn Washington - Specials series | 53:57

Joyandpain-square_small Unwedding

Valentine's day is about love, about girlfriends, boyfriends, partners, wives. But what about our lovers passed? Those that we still hold in our hearts, those that we still sometimes sort of love? Those we can’t let go of? This couple tells the story.

This story was produced by the dynamic duo Sharon Mashihi and Rachel James. For more of what they do check this out.

Producer: Sharon Mashihi and Rachel James

Henry and Jane

A husband and wife think they are doing the best they can to keep their marriage in tact, then they enter the storm. Find an extended version of this story on Lea Thau’s Strangers, from KCRW’s Independent Producer Project.

Producer: Lea Thau


The Refresh Button

We all sometimes ask ourselves, if we had a day, a week, a year left to live, what would we do with that time. Hear what one couple did when they faced that dark fantasy in real life.

Producer: Julia Dewitt


Just Us

One woman’s experience leaves her unable to trust, until she finds just the right partner. Find out about Sunny Jacobs and Peter Pringle at www.sunnyandpeter.com

Producer: Anna Sussman

State of the Re:Union Fall 2010 Season (Series)

Produced by Al Letson

Most recent piece in this series:

Veterans Day Special

From Al Letson | Part of the State of the Re:Union Fall 2010 Season series | 53:53

Sotru_vets_square_240_small STATE OF THE RE:UNION
Veterans Day Special
SOTRU explores the challenges veterans face as they return home from war

HOST: Al Letson

DESCRIPTION: The wars in Iraq and Afghanistan are sending our veterans home with wounds and obstacles not always clearly visible to the rest of the country. These two current wars also illuminate how veterans of previous eras are still trying to come home years after returning from war. In this episode, State of the Re:Union explores how veterans are serving each other after they come back home from serving the country.

BILLBOARD (:59)
Incue: From PRX and NPR...
Outcue: But first, this news.
 
NEWS HOLE: 1:00- 6:00
 
Segment A (12:29)
Incue: From PRX and NPR...
Outcue: ahead on State of the Re:Union

A. VETERAN'S BOOK PROJECT: Riley Sharbonno returned from a year in Iraq with thousands of digital images that he took, but with no memory of the events the photographs captured. So when artist Monica Haller approached him, the two embarked on a project that ended up as a book of Riley's photographs and writing. This book sparked the Veteran's Book Project, a bookmaking workshop for people who have experienced the wars through many different perspectives. While each book tells a different story, together the books are creating a library of honest conversations about what happens during war.

BREAK: 19:00- 20:00

SEGMENT B (18:59)
Incue: You're listening to State of the Re:Union
Outcue: P-R-X.O-R-G

A. O's GUITAR: Richard O'Connor left for Vietnam with his father's old Montgomery Ward guitar. In between fighting and attacks, he played songs for his fellow marines in order to keep a sense of sanity and calm amidst chaos and devastation. Now, 42 years after returning home, Richard is using his music to welcome back recently returning veterans. But he's also finding his own way home.

BREAK: 39:00- 40:00

SEGMENT C (18:59)
Incue: You're listening to State of the Re:Union
Outcue: This is N-P-R

A. TEAM SEMPER FI: On a foggy Sunday morning in Santa Cruz, California, a team of injured marines take the same camaraderie and strength from the battlefield, and bring it to the competitive sports track.

B. FARMER VETERANS: The country is having a hard enough time dealing with the unemployment rate, so imagine returning home from war, and then having to find a job. But a growing movement of veterans are finding their stride by creating a new mission once they return home: Feeding the country. SOTRU visits two farms that are on this mission.

C. REFLECTION: Al reflects on a country dividing its attention between two wars and their own lives.

D. VOX: A montage of voices of those who have experienced the challenges of coming home, from veterans to family members, of all services, of all eras.

PROGRAM OUT @ 59:00

The fall season of The State of the Re:Union is available now on PRX and the ContentDepot without charge to all public radio stations, and may be aired an unlimited number of times prior to May 31, 2012. The program may be streamed live on station websites but not archived. Excerpting is permitted for promotional purposes only.

The State of the Re:Union is produced by Al Letson, and presented by PRX. Major funding for the State of the Re:Union comes from CPB, the Corporation for Public Broadcasting.

Thanks for your consideration of this season of SOTRU.  Please contact Israel Smith at ismarketing@yahoo.com or 612-377-3256 with questions or to confirm carriage.

99% Invisible (Standard Length) (Series)

Produced by Roman Mars

Most recent piece in this series:

99% Invisible #140- Vexillonaire (Standard 4:30 version)

From Roman Mars | Part of the 99% Invisible (Standard Length) series | 04:29

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Here’s a trick: if you want to design a kickass flag, start by drawing a one-by-one-and-a half inch rectangle on a piece of paper.

A design at these dimensions held 15 inches from your eye looks about the same as a three-by-five foot flag on a flagpole a hundred feet away.

RAMJ1[From left: flags of Chicago and Washington, D.C., as rendered by 99% Invisible producer Avery Trufelman]

Your design has to work within that tiny rectangle, because unlike other designed objects, a flag is usually seen at a distance. It is also often in motion and partially obscured.

15629719_6f58f634cd_o[Credit: hugovk]

Given those limitations, it’s surprising how simple and compelling.

Vexillologists—those who study flags—tend to fall into one of two schools of thought. The first is one that focuses on history, category, and usage, and maintains that vexillologists should be scholars and historians of all flags, regardless of their designs.

The other school of vexillology, however, maintains that not all flags are created equal, and that flags can and should be redesigned, and improved.

Ted Kaye of the Portland Flag Association—the largest subnational flag organization in the country—is one such vexillologist. Kaye has a word for these activist vexillologists of his ilk who go out into the world and lobby for more beautiful flags: “vexillonaires.”

C78F3741-C423-4299-8302-B15604AEE494[Flag of the Portland Flag Association.]

You’ll remember from episode #6 that the principles of flag design, according to the North American Vexillological Association, are:

1. Keep it simple

2. Use meaningful symbolism

3. Use two to three basic colors

4. No lettering or seals of any kind.

5. Be distinctive

For some reason, cities of the United States seem to have a lot of trouble with principle #4.

The city of Portland, Oregon, didn’t have an official flag until 1969, when a group proposed a flag to the commercial club of portland. Portland’s mayor at the time brought in the Portland Arts Commission, which brought in local graphic designer Doug Lynch to work on the flag. Lynch asked the stakeholders what was important to them in a flag, and also did his own search for powerful visual imagery for the city.

Lynch came up with an abstract flag design, with blue lines representing the Columbia and Williamette rivers, bordered by stripes of gold representing commerce or grain growing along the rivers, all flowing into a white four-pointed star representing the city. The background color, green, represents the forests.

 

The city council took Lynch’s flag design and plopped a city seal on it. The flag was rarely flown.

us-orpo69[Portland’s first city flag. Courtesy of Ted Kaye.]

Nearly thirty years later, Doug Lynch, then in his mid-eighties, went to a meeting of the Portland Flag Association. Lynch explained the story of his botched flag to the gathering of vexillologists. At the end of the presentation, Lynch talked all about the changes he wanted to make to the flag (including taking the seal off), and regretted that there was nothing he could do about it.

The vexillologists—nay, vexillonaires—sprang into action. This elite team of historians, manufacturers, and designers agreed to come together on behalf of fixing Portland’s flag. They went to Portland city council and testified on the flag’s behalf. The new/old flag was adopted a week later, and it’s been representing Portland ever since.

600px-Flag_of_Portland_Oregon.svg[Portland’s new and improved city flag.]

Roman Mars spoke with vexillologist and vexillonaire Ted Kaye at his home in Portland. When Roman arrived, he found that Ted had flown the San Francisco flag in Roman’s honor, because that’s what kind of guy Ted Kaye is.

 

10296837_827671583928774_111458530_n[Credit: Roman Mars]

Too Much Information (Series)

Produced by WFMU

Most recent piece in this series:

It's All Over

From WFMU | Part of the Too Much Information series | 54:02

Playing
It's All Over
From
WFMU

Tminub_small G.S. recalls how bad karma took him from Devon, England to the C.U.T. bomb shelters in Montana. Author Robert Brockway explains how everything is going to kill everybody, and Matt Jarvis explains what it means to be a prepper. Pamela Walt has bad vibes in general, and our DC correspondent "Chris" has a bad feeling about the Tea Party. Also, astronomer Chris Impey explains how dark energy is the ending of all endings.

Yesterday, Today & Tomorrow (Series)

Produced by Yesterday, Today & Tomorrow- Phil Mariage

Most recent piece in this series:

Amputees

From Yesterday, Today & Tomorrow- Phil Mariage | Part of the Yesterday, Today & Tomorrow series | 29:00

Ytt-300x300_small

ABLE - is the support group Amputees Beyond Life's Expectations   This is a generational discussion featuring Malinda Spivey who lost her leg at age 14 from cancer. Her amputation was extremely high to the hip area. Her experience was frighteningly alone. Scott Burton is the founder of ABLE and is helping other groups get started. Danny Smith lost his leg in a construction accident and is heading up the Hot Springs, AR group.

 

 

The Stream (Series)

Produced by Wendy Levy

Most recent piece in this series:

Episode #11: 5 Minutes with Peter Broderick

From Wendy Levy | Part of the The Stream series | 05:00

Screen_shot_stream_small 5 Minute Mix