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Playlist: Hannah Krakauer's Portfolio

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These Buildings Have Feelings

From Hannah Krakauer | 27:46

An in-depth exploration of the waterfront development in Bellingham, WA.

3a_small The town of Bellingham, WA is facing perhaps its biggest project yet: to clean up and build up 137 acres of waterfront property. Bellingham is facing many challenges, and has to answer the question of how to deal with the historical properties currently sitting on the site. In this piece, we hear from historians, politicians, and activists--all of whom feel strongly about the direction of the waterfront property. With such complex problems, will we be able to find one solution that pleases everyone? 

Enabling Disabilities

From Hannah Krakauer | 16:40

A toy designer talks about what it's like to design toys for children with special needs.

Jzk_jr1_sm_small Jessica Zarin Kessin’s toy company in San Francisco caters to a unique market: disabled children. By designing for the extremes, Jessica believes she can make toys more fun for everyone.

Born Into a World of Things

From Hannah Krakauer | 09:33

573px-puzzlebyaltekruse1_small Michael Shanks, an archaeologist at Stanford, was hired by a major car company to help them find out how people interact with car interiors. A discussion of the history of design, form and function, and playfulness as an attitude towards the world.

A Portrait of War

From Hannah Krakauer | 20:52

A San Francisco artist takes on the ambitious project of drawing individual portraits of all the American soldiers killed in Iraq and Afghanistan.

Emilyprinceamerican1_small To the average person, the statistics of how many people are killed each day in the Iraq war can seem simultaneously overwhelming and superficial: the numbers are huge, but at the same time impossibly distant. How do we deal with understanding these statistics, and how can it impact us once we do? Emily Prince is a San Francisco artist who has taken up the task of drawing individual portraits of every single American solder killed in Iraq and Afghanistan. To date, she has drawn over 4,000 portraits--and is still going. She installs the piece on a 25-foot tall wall, placing each portrait relative to the soldier's hometown to form roughly the shape of the United States. Her work was recently featured at the Venice Biennial: one of the world's most important exhibitions for up-and-coming artists. This piece explores Emily's process in creating, developing, and continuing the project to draw all of the servicemen and women killed overseas. She discusses how the project has impacted her own understanding of the war's statistics, why she has chosen to do it the way she has, and ultimately her role as an artist and as a human being simply trying to relate to the abstraction of war and death.