Out of the gate, Rebecca Sheir informs us of her intent to learn how to recognize authentic Native art. This is an investigative story about counterfeit Native art that would serve well as a companion piece for a travel series on Alaska destinations, or simply as a common sense piece for the casual or serious art collector. The listener is immediately drawn into the investigative aspect of the story in a lighthearted way.

The investigation brings to mind the nature of tourist areas--how buyers frequently check their common sense along with their luggage, opting to view their hosts as good-natured, honest folk in order to create a positive, memorable experience--and how this can be used against them.

It's somewhat difficult to sympathize with the deceived buyer who doesn't do a little investigating before purchasing an authentic work of art, particularly if, in the end, the buyer doesn't really question the authenticity in lieu of having created a fond memory. But for those that truly don't want to be deceived, Ms. Sheir gives solid buyer beware advice.

This personal narrative recounts one grad student's quest for direction and meaning, a "mystical connection" to his city and its people which is lacking in his academic life.
The story is honest and revealing. A promising student who studies monks but has a spiritual void fills it by deciding to drive a cab. The connections he makes, and the driving itself, seem more "real", more tangible--unlike the detachment he brings to school.
The underlying music is subtle and effective. It complements the story without overpowering it. The narrator's tone is one of gentle amusement and surprise at his discoveries, which keeps the listener engaged.
This story could fit into a number of segments, for example, on spirituality, career choices, or a focus on specific jobs.