
Piece Description
On August 20, 1987 my mother had a brain aneurysm when she was only forty-six years old. She survived. Most people don't. I've come to refer to this life-changing event as "The Day My Mother's Head Exploded." The proper, socially conscious mother I grew up with died that day, and was replaced by an entirely different person. It turns out that my new mother adores Wendy's hamburgers, likes to wear Groucho Marx glasses in public places and will perform a spirited rendition of "Goodbye My Coney Island Baby" at the drop of a hat. When my mother's head exploded, she had a chance to start all over again and she took it. I didn't really get my wacky new mom and spent years grieving for the mother of my childhood. But when I was finally able to realize that my mother's eccentricities are really heart-felt affirmations of survival I was able to move on and to appreciate the person who exists in the here and now. I've wanted to tell her story, and my own, too, for years now, but have struggled with form and structure. I'm a writer and producer with a background in theatre and documentary filmmaking. Despite all of the tools at my disposal, I just couldn't get it right. Then, on a whim, I borrowed a mini-disc recorder and did an extended interview with my mother when she was on a visit to Seattle. A year later, Jack Straw Productions awarded me some studio time and the services of Scott Bartlett, an extraordinarily gifted and patient engineer, who helped me navigate a host of technical landmines so that I could find the true path to this particular story. "The Day My Mother's Head Exploded" was first presented to the public as part of the Jack Straw Artist Support Program in April 2003. When the piece was over, my mother joined me on stage where we performed her signature song, "Goodbye My Coney Island Baby." And yes, we wore Groucho Marx Glasses.
2 Comments
|
|
Review of The Day My Mother's Head Exploded (Short Version)
Producing a piece about brain aneurysms and dying mothers can make for some pretty bummer radio. Thankfully, this piece avoids all those pitfalls without getting sappy.
This is an unusual story with lots of unexpected little twists, often producing a lot of unanticipated (yet very human) moments of humor. Listen, and you to may believe that heaven is being a vegetable farmer in Vietnam (you have to listen to get that joke). The piece is a bit too long, but some fantastic interview clips with her mother (who did survive) keep things moving. The only distractions are some occasional sounds effects (ambulance noise, hospital monitor beeps). These are so unnecessary. Since these are not authentic sounds recorded at the time of the events, they are superfluous. The story is so strong that they aren’t needed. For stations, the piece would make a nice drop-in for a variety of magazine-style programs. A possible connection would be Mother's Day. The piece has an intro and outro that are better read by the local host. |
Broadcast History
This piece was aired on KUOW 94.9fm in Seattle on "Radio Intersections" produced by Jeannie Yandle in July 2003.
Transcript
Transcript for The Day My Mother?s Head Exploded
Produced by Hannah Palin
Nikki There?s something about that experience that was very freeing. Because it was just a typical Friday morning for me, you know, and all of the sudden by the end of the day, I was almost dead.
Narration Fifteen years ago my mother had a brain aneurysm when she was only forty-six years old. I?ve come to refer to it as the day my mother?s head exploded.
For those who don?t know, and I didn?t either, a brain aneurysm is a bulging spot on the wall of a brain artery, kind of like a thin balloon that can pop at the slightest provocation. When that happens fifty-percent of people die within minutes.
The mother I grew up with died that day and was replaced by an entirely different person who just happens to have the same memories and body and family and address as my dead mother.
That?s my mother and I si...
Read the full transcript
Timing and Cues
The Day My Mother's Head Exploded
Introduction: 0:05
Tag: 10:55
Musical Works
Goodbye My Coney Island Baby Unknown Unknown Nikki and Hannah Palin ~16 seconds Seems to be in the Public Domain
Hey Good Lookin?
BMI 561909 Acuff Rose Music, inc. PolyGram
Mercury Records
825 8th Avenue
New York 10019 Hank Williams
Nikki Palin
7
Play Rave New World (?)
V2 Records
14 East 4th Street
NY 10012 BMG Distribution
1540 Broadway
NY 10036
Moby 26 seconds Not listed in ASCAP, BMI or SESAC
Good Stuff
Good Stuff Reprise Records A Time Warner Company
3300 Warner Blvd.
Burbank, CA 91505-4694 BMG Distribution
1540 Broadway
NY 10036 B-52?s 41 seconds Not listed in ASCAP, BMI or SESAC
My Three Sons
BMI # 32263319 Don-Michael, Inc. (BMI)
6135 E. McDonald Drive
Paradise Valley, Arizona 85253-5222 Frank DeVol (ASCAP)
(Composer) 9 seconds
Donna Reed Theme
BMI# 2996931 Don Great
800-321-6967
dgreatmxx@aol.com
tinseltownmusic.net William Loose and John Seely
(Composer) 36 seconds
Theme From Alamo Bay
BMI# 17306
Music by Ry Cooder EMI Intertrax Music
Rod Kotler, Synchronization
C/0 EMI
810 7th Avenue
NY 10019 Warner Brothers Records
3300 Warner Blvd
Burbank, CA 91505-4695
and BMG Ry Cooder 57 seconds
Houston in Two Seconds
BMI # 589498
Music by Ry Cooder Wixen Music Publishing
24025 Park Sorrento
Suite 130
Calabasas, CA 91032-4003
818-591-7355
OR
Tonopah & Tidewater Music Co.
C/O Bloom, Hergott, Cook, Diemer & Klein
150 S Rodeo Dr.
3rd Floor
Beverly Hills, CA 90212 Warner Brothers Records
3300 Warner Blvd
Burbank, CA 91505-4695
and BMG Ry Cooder 2:02 (whole song)
East St. Louis
BMI # 839094
Music by Ry Cooder Songs of Universal, Inc.
ATTN: Copyright Manager
2440 Sepolveda Blvd
Suite 100
Los Angeles 90064-1712 Warner Brothers Records
3300 Warner Blvd
Burbank, CA 91505-4695
and BMG Ry Cooder 50 seconds
Sexe
?Bachelor Pad Royale? Capitol Records
1750 Vine Street
Hollywood, CA 90028 Line Rinaud
16 seconds





Melissa Waldron Lehner
Posted on March 19, 2004 at 08:19 AM | Permalink
Review of The Day My Mother's Head Exploded (Short Version)
THe part of this piece that captures my attention is how the illness turned the mother into an open person, how she likes sex better etc. I would like to have heard more about that and what the world is like for her mother now that she is "open", not so much about the story of how the illness struck. I also wanted more about the relationship between the daughter and the mother and how it changed. That would make it a stronger piece. THe part at the end about not worrying about work or cellphones, I found, was a bit cliched.