- Playing
- Stagefright
- From
- Steve Mencher
When Edith Savitsky was a young girl in the Bronx, she showed enormous talent as a singer. Her family discouraged this path, believing a young Jewish girl had no future in classical music, and should work in an office, and then marry.
In addition, Edith was afraid of singing in public, so she abandoned her nascent career, and married her husband, Abe, in 1945.
Fifty-five years later, life-threatening heart and stomach problems left Edith weakened and depressed. Her doctors and Abe convinced her to go to group therapy. And Abe had a trick up his sleeve. He had saved an old recording of Edith?s singing, and convinced her to share it with her therapy group.
For the first time in her life, Edith?s singing brought her pleasure, and it changed the tone of her group, giving hope and energy to the others as well.
Her family made the old recording into a CD. Listening to the CD, and to this radio feature, which first appeared on Performance Today in 2000, gave Edith untold moments of happiness in her last months.
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Piece Description
When Edith Savitsky was a young girl in the Bronx, she showed enormous talent as a singer. Her family discouraged this path, believing a young Jewish girl had no future in classical music, and should work in an office, and then marry. In addition, Edith was afraid of singing in public, so she abandoned her nascent career, and married her husband, Abe, in 1945. Fifty-five years later, life-threatening heart and stomach problems left Edith weakened and depressed. Her doctors and Abe convinced her to go to group therapy. And Abe had a trick up his sleeve. He had saved an old recording of Edith?s singing, and convinced her to share it with her therapy group. For the first time in her life, Edith?s singing brought her pleasure, and it changed the tone of her group, giving hope and energy to the others as well. Her family made the old recording into a CD. Listening to the CD, and to this radio feature, which first appeared on Performance Today in 2000, gave Edith untold moments of happiness in her last months.
3 Comments
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Review of Stagefright"Stagefright" is a tremendously inspiring piece--just what we need more of in radio. As a performer, woman, and motherI relate to Edith on many levels. Mostly, I admire the relationship of respect and compassion evident in the long marriage between Edith and her husband. Production quality is very high. Steve's voice is like butter, filled with compassion and authenticity. The writing is clear, unpretentious, and accessible for all audiences. Bravo! Sara Robinson
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Review of StagefrightLovely - the voice of a woman - which the reporter steps back to let us hear -and some well-deliverd thoughts about life down the road - for Edith - and for us all. Quite simply a little gem. |
Broadcast History
Performance Today, aired as longer (10 minute) feature, 2000.
Timing and Cues
Opens with music, ends with SOC, then :02 music, which fades.
SUGGESTED INTRO:
Imagine a historian coming across podcasts from the early 21st century; what a treasure trove they?ll be. Cassettes and other recordings from your attic -- especially the home-made variety-- have their own tales to tell.
Producer Steve Mencher felt privileged to be able to tell this story about a long-forgotten recording.
Musical Works
All music is sung by the woman featured in the story, Edith Savitsky, on a home made recording, and is copyright cleared.
Additional Files
- Abe and Edith Savitsky, 1999 (savitsky.jpg)
- Edith Savitsky, 1999 (savitsky2.jpg)






Megan Sukys
Posted on March 11, 2011 at 07:33 PM | Permalink
Personal and Universal
Even though this story is 11 years old, it still stands up to listening today.