More from Lu Olkowski
The Cutting Place
(00:05:03)
From: Lu Olkowski
A documentary poem about DJ Guerin, who’s 32, with 7 kids.
Just a Girl
(00:04:59)
From: Lu Olkowski
A documentary poem about an afternoon spent with Billie Jean Hill at the Flag Day parade in Troy, New York. Billie Jean is a 25-year-old woman with a young son, who recently ...
In the Office of Temporary Assistance
(00:04:00)
From: Lu Olkowski
A documentary poem about an afternoon that poet Susan B.A. Somers-Willett spent with Billie Jean Hill at the New York State Office of Temporary Assistance.
Choosers, Not Beggars
(00:29:05)
From: Lu Olkowski
Two men more or less allow themselves to become homeless in order to dedicate their time to writing poetry
Life In A Dream, Life On Film
(00:08:40)
From: Lu Olkowski
A profile of Jeremiah Zagar whose award winning documentary, "In a Dream" opens in theaters Spring 2009.
http://www.inadreammovie.com/
Grandpa
(00:08:46)
From: Lu Olkowski
A father and son have a contest to take the best pictures of their dying grandpa, the result is an up-close portrait of death.
Meet the Bees
(00:06:35)
From: Lu Olkowski
How I roped my parents into becoming characters on Creature Comforts, a claymation show on CBS. (Come on, listen to it... my parents are funny people.)
J Walter Hawkes
(00:05:12)
From: Lu Olkowski
Trombonist J. Walter Hawkes, who now plays with Norah Jones, almost quit music. He was going to pursue a more regular-guy path in computer programming. But then a horrible ...
Physics for Poets
(00:07:16)
From: Lu Olkowski
People often depict scientists as coldly rational. Physicist Michael Salamon takes issue with that. He explains how Walt Whitman misunderstood the beauty of the universe. ...
Cell Tower
(00:06:16)
From: Lu Olkowski
Don Ingber is a cell biologist from Harvard Medical School, Children's Hospital. One day he saw a piece of modern sculpture and was inspired to make a major breakthrough in ...
Piece Description
Every day Harry Orlyk gets in his truck, finds a good spot and paints an image of the land. No matter what the season, no matter what the weather, he paints, sitting inside his truck, his steering wheel, his easel. Harry Orlyk thinks he knows how to capture a landscape - how to find its essential humanity. And while we're often taught to see landscapes and depictions of people as opposites, Orlyk says they are intimately connected. Through his paintings of farms he is trying to show us that "farms are human - farms are places where the human presence is evident, but it is the human hand, not the face." After 30 years of riding over the same roads - slowly watching and painting the same land - Harry notes the changes in the landscape. He laments how his "heart's been broken" as a favorite painting place is lost, "I'll see a new house on a hilltop - and I loose that place." Originally aired on Weekend America December 4, 2004.
Broadcast History
Originally aired on Weekend America December 4, 2004.
Timing and Cues
06:20
Musical Works
None.





Arvid Hokanson
Posted on March 01, 2006 at 12:10 PM | Permalink
Review of A Painting a Day
The use of sound in this story is excellent. The audio from the truck, the farmer moving the cows and interviewing Harry in the field conveys a sense of place. Coupled with Lu's description, you can paint a picture of the landscape. Also, the tape of Harry is well edited and placed, requiring little narration. Lu does a good job of voicing with a conversational tone. Their is a good arc to the story - giving us a start of heading out in the morning and finishing the day with the unexpected stop for the cows.
Well done.