Luther 'Captain Luke' Meyer: In his own words
Series: Musicians in their own words
From: David Schulman
Length: 00:06:18
Luther "Captain Luke" Meyer used to sing bass in a gospel quartet, but he really found his voice in the 1950s, performing in the unlicensed drink houses of Winston-Salem, North Carolina. In this feature, Meyer remembers those Jim Crow-era clubs, and demonstrates how his act used to mix blues, jazzy ballads -- and even impersonations of Jimmy Durante.
'"Captain Luke" Meyer is one of several forgotten artists rediscovered by the Music Maker Relief Foundation. His story and his music are featured in the book/CD set, "Music Makers: Portraits and Songs from the Roots of America," edited by Tim Duffy and introduced by B.B. King. Meyer and guitarist "Cool John" Ferguson also have released a CD, "Outsider Lounge Music."
For flexibility, two mixes are provided, The short mix (tape time 4:09) omits Meyer's demonstration of two very different ways of singing "Careless Love."
As in all the pieces in David Schulman's CPB-supported Musicians in their own words
series, the story is told through a mix of the performer's voice and music. There is no reporter's voice heard, allowing the feature to be seamlessly incorporated into station news, talk, or music programming.
Scripts for intro and outro are attached, and may be edited at will.
First aired on WUNC.
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Piece Description
Luther "Captain Luke" Meyer used to sing bass in a gospel quartet, but he really found his voice in the 1950s, performing in the unlicensed drink houses of Winston-Salem, North Carolina. In this feature, Meyer remembers those Jim Crow-era clubs, and demonstrates how his act used to mix blues, jazzy ballads -- and even impersonations of Jimmy Durante. '"Captain Luke" Meyer is one of several forgotten artists rediscovered by the Music Maker Relief Foundation. His story and his music are featured in the book/CD set, "Music Makers: Portraits and Songs from the Roots of America," edited by Tim Duffy and introduced by B.B. King. Meyer and guitarist "Cool John" Ferguson also have released a CD, "Outsider Lounge Music." For flexibility, two mixes are provided, The short mix (tape time 4:09) omits Meyer's demonstration of two very different ways of singing "Careless Love." As in all the pieces in David Schulman's CPB-supported Musicians in their own words series, the story is told through a mix of the performer's voice and music. There is no reporter's voice heard, allowing the feature to be seamlessly incorporated into station news, talk, or music programming. Scripts for intro and outro are attached, and may be edited at will. First aired on WUNC.
Broadcast History
First aired on WUNC.
Transcript
Keywords: Luther "Captain Luke" Meyer, blues, jazz, impersonations, Winston-Salem, North Carolina, Jim Crow, B.B. KIng, Billy Eckstein, Jimmy Durante, Careless Love, Music Maker Relief Foundation, Tim Duffy, Musicians in their own words, WUNC, David Schulman
Read the full transcript
Timing and Cues
Two mixes provided:
SHORT MIX:
4:09 tape time
Total duration including script: 5:00
TAPE IN: "They call me Captain Luke ..."
TAPE OUT: Ends with music. Last sung words: "... oh yeah, oh yeah, oh yeah. Yeah."
FULL MIX:
6:18 tape time
Total duration including script: 7:00.
TAPE IN: "They call me Captain Luke ..."
TAPE OUT: Ends with music. Last sung words: "... oh yeah, oh yeah, oh yeah. Yeah."
Musical Works
All excerpts performed by Luther "Captain Luke" Meyer with guitarist "Cool John" Ferguson. All excerpts from the CD, "Outsider Lounge Music."
Additional Files
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- (description) (CaptainLukePRXscript)




Transom Editors
Posted on March 02, 2004 at 12:11 PM | Permalink
Review of 'Captain Luke' Meyer: In his own words
This is a noble portrait--and worth listening to for the music alone. Having grown up in Chicago the Blues was the enforced sountrack of my life--as soon as I had a say in what I listened to Blue was banished from the spectrum. BUT this piece leaves me thinking that was a big mistake. Captain Luke's singing is lyrical--his remembrances of the 50's and 60's music scene are compelling. And, like a great song, a world is revealed in about 4 minutes. This is perfect for "All Things Considered," a show about music, or the artistic process, and so on.--Chelsea Merz