Piece image

Allan Harris: In his own words ... on Billy Strayhorn

Series: Musicians in their own words
From: David Schulman
Length: 00:04:51

Vocalist Allan Harris describes his approach to the compositions of Duke Ellington's closest collaborator, Billy Strayhorn. Read the full description.

Logo6_small Billy Strayhorn was one of the great American songwriters of the 20th century -- even if few people knew it during his lifetime. It was Strayhorn, not his mentor Duke Ellington, who wrote the standards "Take the 'A' Train," "Satin Doll," and "Lush Life." But Strayhorn was black and openly gay, and he lived his life mostly in Ellington's shadow. More than 30 years after Strayhorn's death, jazz vocalist Allan Harris paid a call on members of Strayhorn's family. Harris convinced the Strayhorn family to give him access to previously unrecorded music as he made his all-Strayhorn CD, Love Came. In this feature, Harris describes his approach to singing Strayhorn's neglected music, as well as his radical reinterpretation of Strayhorn's signature tune, "Lush Life." As in all the pieces in David Schulman's CPB-supported Musicians in their own words series, the story is told through a mix of the performer's voice and music. There is no reporter's voice heard, allowing the feature to be seamlessly incorporated into station news, talk, or music programming. Scripts for intro and outro are attached, and may be edited at will. This piece first aired on WAMU, Washington.

To hear the full audio, sign up for a free PRX account or log in.

Also in the Musicians in their own words series

Piece image

Ron Carter: In his own words (00:07:27)
From: David Schulman

Ron Carter is an icon of jazz. He has played his bass on more than 2000 albums. His name, however, is most vividly linked with Miles Davis. Carter's searching bass lines ...
Caption: Stephane Wrembrel live at the Birchmere, Credit: Jason Goodman

Stephane Wrembel and "The Tao of Django" (00:10:33)
From: David Schulman

Stephane Wrembel isn't a conventional guitar hero. But his star is rising fast nonetheless. He wrote music for the last two Woody Allen films, including the Oscar-winning ...
Piece image

Benny Golson: a Jazz legend in his own words (00:05:46)
From: David Schulman

The man who wrote some of the best known standards in jazz reflects on a career that included writing "Killer Joe," talking his way into the great Art Blakey band, quitting ...
Piece image

Cyro Baptista: in his own words (00:07:06)
From: David Schulman

Cyro Baptista in his percussion garage ...
Piece image

A musicians' guide to warming up (00:04:30)
From: David Schulman

What do you do to warm up? With Gillian Welch, Lang Lang, Cecilia Bartoli, Albert Kuvezin, Yo-Yo Ma ...
Piece image

Howard Levy: Reinventing the Harmonica (00:07:22)
From: David Schulman

Is that a moving violation?
Piece image

Cecilia Bartoli: In her own words (00:04:11)
From: David Schulman

One of the world's great operatic singers explores what it means to approach the human voice as an instrument -- like a trumpet or violin.
Piece image

Bo Diddley: in his own words (in memory) (00:07:37)
From: David Schulman

A late-career portrait of one of rock-and-roll's legendary creators.
Piece image

Gillian Welch ENCORE: In her own words (00:02:45)
From: David Schulman

Gillian Welch reconsiders the fate of a fallen American hero: Elvis Presley.
Piece image

Poncho Sanchez: In his own words (00:03:16)
From: David Schulman

Even without a conga drum handy, a master of Latin Jazz finds a way to demonstrate the essence of the mambo.

Piece Description

Billy Strayhorn was one of the great American songwriters of the 20th century -- even if few people knew it during his lifetime. It was Strayhorn, not his mentor Duke Ellington, who wrote the standards "Take the 'A' Train," "Satin Doll," and "Lush Life." But Strayhorn was black and openly gay, and he lived his life mostly in Ellington's shadow. More than 30 years after Strayhorn's death, jazz vocalist Allan Harris paid a call on members of Strayhorn's family. Harris convinced the Strayhorn family to give him access to previously unrecorded music as he made his all-Strayhorn CD, Love Came. In this feature, Harris describes his approach to singing Strayhorn's neglected music, as well as his radical reinterpretation of Strayhorn's signature tune, "Lush Life." As in all the pieces in David Schulman's CPB-supported Musicians in their own words series, the story is told through a mix of the performer's voice and music. There is no reporter's voice heard, allowing the feature to be seamlessly incorporated into station news, talk, or music programming. Scripts for intro and outro are attached, and may be edited at will. This piece first aired on WAMU, Washington.

1 Comment Atom Feed

Caption: PRX default User image

Review of Allan Harris: In his own words ... on Billy Strayhorn

A good look at how an artist approaches the interpretation of another's highly regarded work. This interview technique is a personal favorite of mine and I like the way the music is used to illustrate the points made by Mr. Harris. It also reveals the courage on his part to take liberties with Strayhorn's work to make a personal statement. Jazz is so much about interpretation and very often a new spin reveals some contemporary resonance.

Broadcast History

First aired on WAMU

Transcript

Keywords: Allan Harris, Billy Strayhorn, jazz, vocals, Lush Life, Duke Ellington, Musicians in their own words, WUNC, David Schulman
Read the full transcript

Timing and Cues

Tape time is: 4:50, including a :33 music tail.

TAPE IN: "Strayhorn brings a very wonderful melodic sense of the
European meets the African ..."
TAPE OUT: (ends with music). Last spoken words: "... that?s the
genius of his writing ability."

Musical Works

All excerpts by Billy Strayhorn, performed by Allan Harris on the album, "Love Came: The Songs of Strayhorn," Love Productions, 2001.

Additional Files

Related Website

http://www.prx.org/series/475