
Body And Soul-Connie Evingson
From: KBEM
Series: Minnesota Voices- Certain Standards with Arne Fogel
Length: 03:32
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- Body And Soul-Connie Evingson
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One of the things we all do when considering the history of our favorite songs, is to identify the song in question with that one individual who made the song successful. With most songs, it’s easy to make such an identification. But Edward Heyman, Robert Sour, Frank Eyton & Johnny Green’s Classic “Body & Soul” is a song that belongs to everyone, including: 1930s torch singer Libby Holman, who introduced it to American Audiences in the 1930 review “Three’s A Crowd”, Leo Reisman & his Orchestra who made the first record; Paul Whiteman, Ruth Etting, Helen Morgan, Ozzie Nelson, & Louis Armstrong, whose early 30s records were also successful, and later, tenor sax legend Coleman Hawkins, with his classically sensuous 1940 instrumental. It’s been performed by hundreds more since; perhaps because it’s pleadingly stated theme of total commitment, in the face of utter heartbreak, is so universal. Here’s Minnesota’s Voice Connie Evingson…
Also in the Minnesota Voices- Certain Standards with Arne Fogel series
I Loves You Porgy-Debbie Duncan
(03:29)
From: KBEM
Minnesota Voices Certain Standards features Debbie Duncan on a George & Ira Gershwin song entitled "I Loves You Porgy". Arne Fogel also gives the background of the song. ...
I See Your Face Before Me-Maud Hixson
(03:32)
From: KBEM
Minnesota Voices Certain Standards features Maud Hixson on a Howard Dietz-Arthur Schwartz song entitled "I See Your Face Before Me". Arne Fogel also gives the background of ...
I'll Never Stop Loving You-Arne Fogel
(03:32)
From: KBEM
Minnesota Voices Certain Standards features Arne Fogel on a Sammy Cahn and Nicholas Brodsky song entitled "I'll Never Stop Loving You". Arne Fogel also gives the background ...
At Last- Nancy Harms
(03:32)
From: KBEM
Minnesota Voices Certain Standards features Nancy Harms on a Harry Warren-Mack Gordon song entitled "At Last". Arne Fogel also gives the background of the song. (Week 8-Day ...
Come Rain Or Come Shine- Connie Evingson
(03:32)
From: KBEM
Minnesota Voices Certain Standards features Connie Evingson on a Johnny Mercer & Harold Arlen song entitled "Come Rain Or Come Shine". Arne Fogel also gives the background of ...
It Might As Well Be Spring- Debbie Duncan
(03:29)
From: KBEM
Minnesota Voices Certain Standards features Debbie Duncan on a Richard Rodgers and Oscar Hammerstein song entitled "It Might As Well Be Spring". Arne Fogel also gives the ...
For All We Know- Maud Hixson
(03:32)
From: KBEM
Minnesota Voices Certain Standards features Maud Hixson on a J. Fred Coots- Sam Lewis song entitled "For All We Know". Arne Fogel also gives the background of the song. (Week ...
Skylark-Arne Fogel
(03:32)
From: KBEM
Minnesota Voices Certain Standards features Arne Fogel on a Hoagy Carmichael – Johnny Mercer song entitled "Skylark". Arne Fogel also gives the background of the song. (Week ...
Softly As In A Morning Sunrise-Nancy Harms
(03:32)
From: KBEM
Minnesota Voices Certain Standards features Nancy Harms on a Frederick Loewe and Alan Jay Lerner song entitled "Softly As In A Morning Sunrise". Arne Fogel also gives the ...
You'd Be So Nice To Come Home To-Connie Evingson
(03:32)
From: KBEM
Minnesota Voices Certain Standards features Connie Evingson on a Cole Porter's song entitled "You'd Be So Nice To Come Home To". Arne Fogel also gives the background of the ...
Piece Description
One of the things we all do when considering the history of our favorite songs, is to identify the song in question with that one individual who made the song successful. With most songs, it’s easy to make such an identification. But Edward Heyman, Robert Sour, Frank Eyton & Johnny Green’s Classic “Body & Soul” is a song that belongs to everyone, including: 1930s torch singer Libby Holman, who introduced it to American Audiences in the 1930 review “Three’s A Crowd”, Leo Reisman & his Orchestra who made the first record; Paul Whiteman, Ruth Etting, Helen Morgan, Ozzie Nelson, & Louis Armstrong, whose early 30s records were also successful, and later, tenor sax legend Coleman Hawkins, with his classically sensuous 1940 instrumental. It’s been performed by hundreds more since; perhaps because it’s pleadingly stated theme of total commitment, in the face of utter heartbreak, is so universal. Here’s Minnesota’s Voice Connie Evingson…




