Caption: Phil w/ 2012 Zeitfunk, Credit: Karen Van Norman
Image by: Karen Van Norman 
Phil w/ 2012 Zeitfunk 

Gems of Bluegrass # 1221 "Bluegrass is Jazzy. But What Does that mean?" For regular users, May 19-25, 2012. Others use anytime.

From: Philip Nusbaum
Series: Gems of Bluegrass
Length: 07:23

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In the early twentieth Century jazz and country music both had bad reputations among members of the music establishment. For one thing, with a lack of proper sheet music, there was no respect given to composers. Heck, in a lot of cases, the composer was not even known. Was there a connection between early jazz and early country music from before any lf it got recorded? Well, there would have to be, because musicians are frequently interested in the sounds of neighboring traditions. In the 1920’s, there were recorded several old time bands that had obviously been influenced by ragtime, and others like Dock Boggs and the Carolina Tar Heels that were influenced by the blues, and players like Clayton mcMichen interested in jazz. When Bill Monroe joined the scene, he continued the tradition of borrowing from the blues and jazz Read the full description.

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Gems of Bluegrass are 5 - 8 minutes drop-in modules that look at bluegrass / old time history, aesthetics and culture. Each Gem consists of multiple song clips with commentary over music beds. For an insightful weekly 1-hour bluegrass show that includes Gems of Bluegrass, see the Bluegrass Review, available from PRX. Contact Phil Nusbaum at pnusbaum@bitstram.net to download the show from www.bluegrassreview.com.

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Piece Description

Gems of Bluegrass are 5 - 8 minutes drop-in modules that look at bluegrass / old time history, aesthetics and culture. Each Gem consists of multiple song clips with commentary over music beds. For an insightful weekly 1-hour bluegrass show that includes Gems of Bluegrass, see the Bluegrass Review, available from PRX. Contact Phil Nusbaum at pnusbaum@bitstram.net to download the show from www.bluegrassreview.com.

Timing and Cues

7:23

Intro and Outro

INTRO:

In the early twentieth Century jazz and country music both had bad reputations among members of the music establishment. For one thing, with a lack of proper sheet music, there was no respect given to composers. Heck, in a lot of cases, the composer was not even known. Was there a connection between early jazz and early country music from before any lf it got recorded? Well, there would have to be, because musicians are frequently interested in the sounds of neighboring traditions. In the 1920’s, there were recorded several old time bands that had obviously been influenced by ragtime, and others like Dock Boggs and the Carolina Tar Heels that were influenced by the blues, and players like Clayton mcMichen interested in jazz. When Bill Monroe joined the scene, he continued the tradition of borrowing from the blues and jazz

OUTRO: