A musical portrait of life on the US/Mexico border. Two members of the Nortec Collective talk about how the border has influenced their music, a mix of Mexican folk and electronics. They represent a growing middle-class Mexico, able to cross the border freely. Growing up in Tijuana, they listened to San Diego radio stations because many had their broadcast towers in Tijuana to avoid FCC regulation. They are not afraid to talk about the negative image cast on the city and how it is represented in their music.
Piece Description
A musical portrait of life on the US/Mexico border. Two members of the Nortec Collective talk about how the border has influenced their music, a mix of Mexican folk and electronics. They represent a growing middle-class Mexico, able to cross the border freely. Growing up in Tijuana, they listened to San Diego radio stations because many had their broadcast towers in Tijuana to avoid FCC regulation. They are not afraid to talk about the negative image cast on the city and how it is represented in their music.
Broadcast History
Local: KPBS, These Days, 29 Nov 2005
Timing and Cues
TOTAL RUNNING TIME 14:15 / 17:14
(2:59 outro music)
SUGGESTED HOST INTRO:
The ebb and flow of people and products across the U.S. Mexico border shapes the cultural landscape of San Diego as well as Tijuana. It has also shaped a group of electronic musicians known as the Nortec Collective. The group recently released a new album called Tijuana Sessions Vol.III, a mix of norteno, tambora, and techno music. The group describes the album as a soundtrack of their life in the region.
Musical Works
IN ORDER OF APPEARANCE (songs are mixed in and out of conversation)
TITLE, ARTIST, ALBUM, LABEL, YEAR, LENGTH
Tengo la Voz, Nortec Collective (Bostich), Tijuana Sessions Vol.3, Nacional Records, 2005, 30sec
Olvidela Compa, Nortec Collective (Clorofila & Pan?ptica), Tijuana Sessions Vol.3, Nacional Records, 2005, 2:30min
El Fracaso, Nortec Collective (Hiperboreal), Tijuana Sessions Vol.3, Nacional Records, 2005, 1min
Bar Infierno, Nortec Collective (Fussible), Tijuana Sessions Vol.3, Nacional Records, 2005, 2min
Tijuana Makes Me Happy, Nortec Collective (Fussible), Tijuana Sessions Vol.3, Nacional Records, 2005, 3:45min
Additional Files
- Album Cover: Tijuana Sessions Vol. 3 (nortectjsv3.jpg)
- Members of the Nortec Collective at their laptops (IMG0099large.jpg)





Emon Hassan
Posted on May 13, 2006 at 01:52 PM | Permalink
Review of Music from the Nortec Collective reflects life on the border
Nortec Collective does reflect life lived at the border. The band is also a reflection, fusion, and mix of influences growing up during the 70s and 80's in Tiijuana and being exposed to cultures from both sides of the Mexican-American border. The band members talk about their roots, not in the cultural sense, but the musical fragments that beat, pump, and ooze with a calming rhythm. Think northern Mexico's various musical elements rerouted through electronic equipment, something they started doing in 1999. That is not to say the band doesn't have much to say with the fused style. There has to be a reason for musical evolution. In their song 'The Big Failire', the band members explain the feeling of 'nostalgia' and 'fading love' (paraphrasing here) despite the upbeat nature of the music. The voices they represent are not only human voices, but musical instruments as well.
The band recognizes how the world views Tijuana as an infested city, creeping with ugliness. It has its beauty too, and both sides reflect in their music. It's living in Tijuana in the 21st century. As it turns out, being a Tijuana native is, after all, a blessing. It's easier to get Visas to come to the States, not so for Mexicans from other parts of the country, and the border radios broadcast great music.
The piece provides a good history of the band and its musical style. For a new listener, it might not sound so foreign, after all. (S)he might sense a familiarity in those tunes.