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Radio stories usually aren't very complicated. Generally speaking, you can probably place stories into two categories. The first is the argument story -- these people say this, these other people disagree. The second is the narrative story -- the piece is organized chronologically as a sequence of events. (To be sure, I'm painting with a broad brush.)
Whitney Jones produced a somewhat different story last fall while he was at the Transom Story Workshop where I teach. His story "Leaving" falls in the "narrative story" category but instead of one single sequence of events, "Leaving" follows two -- a parallel narrative. That's unusual.
The reason you don't hear parallel narratives on the radio too often is because they're complex. They require more attention from a listener who, typically, is doing something else while they listen. So, in recognition of that, producers and editors tend to want to simplify. That's smart, I think. But, if the writer pays close attention to keeping the two separate narratives clear and simple and brings them together in the end in a satisfying manner, then I think a parallel narrative can work on the radio and I'd like to hear more of them.
Definitely, Whitney's parallel narrative works and works well.Also in the HowSound series
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Piece Description
Radio stories usually aren't very complicated. Generally speaking, you can probably place stories into two categories. The first is the argument story -- these people say this, these other people disagree. The second is the narrative story -- the piece is organized chronologically as a sequence of events. (To be sure, I'm painting with a broad brush.)
Whitney Jones produced a somewhat different story last fall while he was at the Transom Story Workshop where I teach. His story "Leaving" falls in the "narrative story" category but instead of one single sequence of events, "Leaving" follows two -- a parallel narrative. That's unusual.
The reason you don't hear parallel narratives on the radio too often is because they're complex. They require more attention from a listener who, typically, is doing something else while they listen. So, in recognition of that, producers and editors tend to want to simplify. That's smart, I think. But, if the writer pays close attention to keeping the two separate narratives clear and simple and brings them together in the end in a satisfying manner, then I think a parallel narrative can work on the radio and I'd like to hear more of them.
Definitely, Whitney's parallel narrative works and works well.Musical Works
| Title | Artist | Album | Label | Year | Length |
|---|---|---|---|---|---|
| I'm 9 Today | Mum | Yesterday Was Drastic, Today Was Okay. | TMT | 2000 | 00:00 |
| Broken Monitors | B. Fleischman | The Humbucking Coil. | Morr Music | 2006 | 00:00 |
| Smell Memory | Mum | Yesterday Was Drastic, Today Was Okay. | TMT | 2000 | 00:00 |
| Composure | B. Fleischman | The Humbucking Coil. | Morr Music | 2006 | 00:00 |
| Love More | Sharon Van Etten | Ba Da Bing. | Epic | 2010 | 00:00 |
| Bookstore | Jon Brion | Eternal Sunshine of the Spotless Mind Soundtrack. | Hollywood Records | 2004 | 00:00 |




