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- Langston Hughes - I Too Sing America
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- WQXR
Langston Hughes, an enduring icon of the Harlem Renaissance, is best-known for his written work, which wedded his fierce dedication to social justice with his belief in the transformative power of the word. But he was a music lover, too, and some of the works he was most proud of were collaborations with composers and musicians.
On Wednesday, Feb. 1 at 9 pm - what would have been Hughes’ 110th birthday - WQXR kicks off Black History Month with the premiere of I, Too, Sing America: Music In The Life Of Langston Hughes, a one-hour radio special that shines a light on Hughes's lesser-known musical compositions.
Hosted by Terrance McKnight, WQXR host and former Morehouse professor of music, I, Too, Sing America will dive into the songs, cantatas, musicals and librettos that flowed from Hughes’ pen. As he did with his poetry, Hughes used music to denounce war, combat segregation and restore human dignity in the face of Jim Crow. His musical adventures included writing lyrics for stage pieces such as Black Nativity and Tambourines to Glory, works that helped give birth to the genre of Gospel Play, as well as songs for radio plays and political campaigns, and the libretto for Kurt Weill’s Street Songs.
I, Too, Sing America will also tell the dramatic tale of Hughes’ collaboration with William Grant Still, hailed today as “the Dean of African American composers.” For 15 years, against the backdrop of pre-Civil Rights racism, the two fought to see their opera become a reality. Their historic success came in 1949, when Troubled Island – which told the story of Haitian revolution leader Jean-Jacques Dessalines – was staged by the New York City Opera, becoming the first opera by African Americans to ever be staged by a major company.
The documentary will include recordings of select pieces of Hughes’ musical works, some of which were never performed again in their entirety after their original production. It will also feature archival interview tape of William Grant Still discussing Troubled Island.
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Piece Description
Langston Hughes, an enduring icon of the Harlem Renaissance, is best-known for his written work, which wedded his fierce dedication to social justice with his belief in the transformative power of the word. But he was a music lover, too, and some of the works he was most proud of were collaborations with composers and musicians.
On Wednesday, Feb. 1 at 9 pm - what would have been Hughes’ 110th birthday - WQXR kicks off Black History Month with the premiere of I, Too, Sing America: Music In The Life Of Langston Hughes, a one-hour radio special that shines a light on Hughes's lesser-known musical compositions.
Hosted by Terrance McKnight, WQXR host and former Morehouse professor of music, I, Too, Sing America will dive into the songs, cantatas, musicals and librettos that flowed from Hughes’ pen. As he did with his poetry, Hughes used music to denounce war, combat segregation and restore human dignity in the face of Jim Crow. His musical adventures included writing lyrics for stage pieces such as Black Nativity and Tambourines to Glory, works that helped give birth to the genre of Gospel Play, as well as songs for radio plays and political campaigns, and the libretto for Kurt Weill’s Street Songs.
I, Too, Sing America will also tell the dramatic tale of Hughes’ collaboration with William Grant Still, hailed today as “the Dean of African American composers.” For 15 years, against the backdrop of pre-Civil Rights racism, the two fought to see their opera become a reality. Their historic success came in 1949, when Troubled Island – which told the story of Haitian revolution leader Jean-Jacques Dessalines – was staged by the New York City Opera, becoming the first opera by African Americans to ever be staged by a major company.
The documentary will include recordings of select pieces of Hughes’ musical works, some of which were never performed again in their entirety after their original production. It will also feature archival interview tape of William Grant Still discussing Troubled Island.
Timing and Cues
Break 01 - 18:42 "This is I, Too, Sing America. Music in the life of Langston Hughes."
Break 02 - 38:34 "This is I, Too, Sing America. Music in the life of Langston Hughes."
Musical Works
| Title | Artist | Album | Label | Year | Length |
|---|---|---|---|---|---|
| Sara | Mamadou Diabate | Heritage. | World Village | 00:00 | |
| Jericho-Jim Crow (excerpts) | Langston Hughes | Folkways FW09671 | 00:00 | ||
| Traditional Prayer with Moans | The Blue Spring Mississippi Baptist Delegation | Wade in the Water: African American Sacred Music Traditions Vol. I-IV. | Smithsonian Folkways SFW40076 | 00:00 | |
| Baby What's Your Alibi | Langston Hughes, David Martin | Blue Note Records. | 00:00 | ||
| Ballade No. 1 in G minor | Chopin Vladimir Horowitz piano | RCA Records | 00:00 | ||
| Battle Hymn of the Republic | Artist Unknown | Public Domain Music JNO Music | 00:00 | ||
| Faust - Opera in Five Acts Act II: Nous Nous Retrouvernous, mes amis! | Charles Gounod Victoria de Los Angeles & Orchestre et Choeur du Theatre de l'Opera | EMI Classics | 00:00 | ||
| Incantation and Dance | William Grant Still performed by Videmus | Cambria Recordings | 00:00 | ||
| Symphony #2 in E minor | Sergei Rachmaninoff | Cleveland Symphony Orchestra (Nikolai Sokoloff). | Music Arts Association | 00:00 | |
| Real Slow Drag | Scott Joplin The Paragon Ragtime Orchestra & Singers | New World Records | 00:00 | ||
| The Negro Speaks of Rivers | Langston Hughes and Margaret Bonds; Darryl Taylor | Naxos Records | 00:00 | ||
| Eubie's Classical Rag | Eubie Blake | Sony Classical | 00:00 | ||
| African Lady | Langston Hughes, Randy Weston Abbey Lincoln (vocal) | Candid Productions | 00:00 | ||
| Seattle Hunch | Jelly Roll Morton | JSP Records | 00:00 | ||
| I'll Make Me a Man | Roland Hayes | Omega Record Group | 00:00 | ||
| Gulf Coast Blues | Bessie Smith | Legacy/Columbia | 00:00 | ||
| Shadow of the Blues - Litany | Langston Hughes John Musto Darryl Taylor (vocals) | Naxos | 00:00 | ||
| Savoyager's stomp | Louis Armstrong | 00:00 | |||
| Daintiness Rag | James P. Johnson | Folkway Records | 00:00 | ||
| Breath of a Rose | William Grant Still | Videmus. | Cambria Recordings | 00:00 | |
| Waterboy | Paul Robeson | EMI Classics | 00:00 | ||
| Harlem Symphony - Village Virgins | Duke Ellington Detroit Symphony Orchestra (Neemi Jarvi) | Chandos Records | 00:00 | ||
| Afro-American Symphony #4 Lento Con Risoluzione | William Grant Still Detroit Symphony Orchestra (Neemi Jarvi) | Chandos Records | 00:00 | ||
| I've Got Plenty of Nothing | Ira Gershwin and Dubose Heyward Houston Grand Opera | RCA Victor | 00:00 | ||
| Note on Commercial Theatre | Langston Hughes, Leonard Feather, Charles Mingus | Polygram Records | 00:00 | ||
| Valse | Billy Strayhorn The Dutch Jazz Orchestra | Radio Netherlands Music | 00:00 | ||
| A Boy Like You | Kurt Weill, Langston Hughes English National Opera (Carl Davis) | Jay Productions | 00:00 | ||
| Harlem Nocturne | Duke Ellington | Classics Records | 00:00 | ||
| Troubled Island | William Grant Still, Langston Hughes New York City Opera | Voice of America | 00:00 | ||
| Boogie 1 a.m. | Langston Hughes, Leonard Feather, Charles Mingus | Polygram Records | 00:00 | ||
| Lonely Again (Lush Life) | Billy Strayhorn The Dutch Jazz Orchestra | Radio Netherlands Music | 00:00 | ||
| Symphony No 2 Song of a New Race III. Moderately Fast | William Grant Still Detroit Symphony Orchestra (Neemi Jarvi) | Chandos Records | 00:00 | ||
| Summerland | William Grant Still | Videmus . | Cambria Recordings | 00:00 | |
| Broken Strings | David Martin, Langston Hughes Brownie McGee | Sepia Records | 00:00 | ||
| Thank God I've Got the Bible | Jobe Huntley, Langston Hughes Second Canaan Baptist Church Porter Singers | Folkways Records | 00:00 | ||
| If Anybody Asks You Who | Langston Hughes Star of Faith and Bradford Singers | VeeJay Records | 00:00 | ||
| Do Nothing Til You hear from Me | Duke Ellington Louis Armstrong (vocal) | Verve Records | 00:00 | ||
| A Pretty Girl Is Like A Melody | John Steel | Ziegfeld Follies of 1919. | Vintage Music | 1919 | 02:25 |
| Ballad of the Brown King (Cantata) | Margaret Bonds | 2011 | 00:00 |





