
- Playing
- SITPE # 1205
- From
- Stephen R Webb
This week's show begins and ends with sets from 1967, including an excerpt from an original mono pressing of one of the earliest lo-fi recordings ever made: the Red Crayola's Parable Of Arable Lands. Universally panned by the rock press when released, the album has since gone on to become a cult classic, and is considered one of the first examples of avant-garde psychedelic punk rock. Other highlights this week include a really long 1966 set, Neil Young's classic Cowgirl In The Sand, a rare mono pressing of Gypsy Eyes by the Jimi Hendrix Experience, Cher's version of the venerable Hey Joe and a seldom-heard track from the second 13th Floor Elevators album, Easter Everywhere.
Also in the Stuck in the Psychedelic Era series
SITPE # 1320
(01:58:00)
From: Stephen R Webb
Too many titles to choose from, so let's just go with them all.
Piece Description
This week's show begins and ends with sets from 1967, including an excerpt from an original mono pressing of one of the earliest lo-fi recordings ever made: the Red Crayola's Parable Of Arable Lands. Universally panned by the rock press when released, the album has since gone on to become a cult classic, and is considered one of the first examples of avant-garde psychedelic punk rock. Other highlights this week include a really long 1966 set, Neil Young's classic Cowgirl In The Sand, a rare mono pressing of Gypsy Eyes by the Jimi Hendrix Experience, Cher's version of the venerable Hey Joe and a seldom-heard track from the second 13th Floor Elevators album, Easter Everywhere.
Musical Works
| Title | Artist | Album | Label | Year | Length |
|---|---|---|---|---|---|
| OMAHA | MOBY GRAPE | MOBY GRAPE. | COLUMBIA | 1967 | 02:19 |
| COMIN' BACK TO ME | JEFFERSON AIRPLANE | SURREALISTIC PILLOW. | RCA | 1967 | 05:20 |
| I CAN'T SEE YOUR FACE IN MY MIND | DOORS | STRANGE DAYS. | ELEKTRA | 1967 | 03:26 |
| MAN WITH THE MONEY | WHO | A QUICK ONE. | MCA | 1966 | 02:46 |
| NOBODY TO LOVE | 13TH FLOOR ELEVATORS | EASTER EVERYWHERE. | CHARLY | 1967 | 02:51 |
| GYPSY EYES | JIMI HENDRIX EXPERIENCE | 45 RPM single B side. | REPRISE | 1968 | 03:39 |
| REASONS FOR WAITING | JETHRO TULL | STAND UP. | CHRYSALIS | 1969 | 04:00 |
| COWGIRL IN THE SAND | NEIL YOUNG with CRAZY HORSE | EVERYBODY KNOWS THIS IS NOWHERE. | REPRISE | 1969 | 09:57 |
| DUST MY BROOM | CANNED HEAT | UNDERGROUND GOLD. | LIBERTY | 1967 | 03:15 |
| LET THE MUSIC PLAY | BOB MOSLEY | BOB MOSLEY. | REPRISE | 1972 | 03:43 |
| ARE YOU A BOY OR ARE YOU A GIRL | BARBARIANS | NUGGETS-ORIGINAL ARTYFACTS FROM THE FIRST PSYCHEDELIC ERA. | RHINO | 1965 | 02:13 |
| DR. STONE | LEAVES | WHERE THE ACTION IS: L.A. NUGGETS 1965-68. | RHINO | 1966 | 02:20 |
| PAMELA | ULTIMATE SPINACH | ULTIMATE SPINACH. | M-G-M | 1967 | 03:09 |
| MONTEREY | ERIC BURDON AND THE ANIMALS | PSYCHEDELIC POP. | BMG/RCA/BUDDAH | 1968 | 04:15 |
| FOUR UNTIL LATE | CREAM | FRESH CREAM. | ATCO | 1966 | 02:06 |
| DIRTY WATER | STANDELLS | NUGGETS-CLASSICS FROM THE PSYCHEDELIC 60S. | RHINO | 1966 | 02:43 |
| SUNNY AFTERNOON | KINKS | FACE TO FACE. | SANCTUARY | 1966 | 03:30 |
| THE TRIP | DONOVAN | SUNSHINE ON THE MOUNTAIN. | SONY | 1966 | 04:35 |
| PAINT IT BLACK | ROLLING STONES | AFTERMATH. | ABKCO | 1966 | 03:42 |
| (WE AIN'T GOT) NOTHIN' YET | BLUES MAGOOS | NUGGETS-ORIGINAL ARTYFACTS FROM THE FIRST PSYCHEDELIC ERA. | RHINO | 1966 | 02:15 |
| I KNOW MY RIDER (I KNOW YOU RIDER) | BYRDS | FIFTH DIMENSION. | COLUMBIA/LEGACY | 1966 | 02:46 |
| HEY JOE | CHER | CHER'S GOLDEN GREATS. | IMPERIAL | 1967 | 03:21 |
| I WON'T HURT YOU | WEST COAST POP ART EXPERIMENTAL BAND | NUGGETS VOL. 9-ACID ROCK. | RHINO | 1967 | 02:23 |
| DOUBLE YELLOW LINE | MUSIC MACHINE | NUGGETS VOL. 2-PUNK. | RHINO | 1967 | 02:06 |
| FAT CITY | SONS OF CHAMPLAIN | LOVE IS THE SONG WE SING: SAN FRANCISCO NUGGETS 1965-70. | RHINO | 1967 | 03:04 |
| THE PARABLE OF ARABLE LAND (PART ONE) | RED CRAYOLA | THE PARABLE OF ARABLE LAND. | INTERNATIONAL ARTISTS | 1967 | 11:30 |
Additional Credits
Production assistance from Greg Cotterill.
A production of Finger Lakes Public Radio.














