
A Conversation with Brenda Wineapple
From: National Endowment for the Arts
Series: Art Works Podcast
Length: 28:55
"Are you too deeply occupied to say if my Verse is alive??The Mind is so near itself -- it cannot see, distinctly -- and I have none to ask -- ?Should you think it breathed -- and had you the leisure to tell me, I should feel quick gratitude -- “
That's how Emily Dickinson begins her first letter to Thomas Wentworth Higginson. The year was 1862; The 38-year-old Higginson was an prominent cultural critic and activist. Emily Dickinson was 31, an unknown, if prolific poet and a recluse. Yet, an improbable and intense friendship began. Dickinson reached out to Higginson, who responded to the genius he saw in her work. Their correspondence would continue for the next quarter century, with Dickinson sending Higginson almost 100 of her poems. After her death, Higginson became a co-editor of Dickinson's work and arranged for its publication. Drawing on 25 years' worth of Dickinson's letters (Higginson's are lost), Brenda Wineapple re-creates this extraordinary friendship in her book White Heat, which was a finalist for National Book Critics Circle Award. White Heat combines biography, literary criticism and history. The result is a book that allows us to see Dickinson and her poems through the eyes of a contemporary, as a person within the context of her times -- a genius to be sure, but more savvy than one might imagine. While Higginson emerges as a radical thinker, astute critic and wise friend.
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Piece Description
"Are you too deeply occupied to say if my Verse is alive??The Mind is so near itself -- it cannot see, distinctly -- and I have none to ask -- ?Should you think it breathed -- and had you the leisure to tell me, I should feel quick gratitude -- “
That's how Emily Dickinson begins her first letter to Thomas Wentworth Higginson. The year was 1862; The 38-year-old Higginson was an prominent cultural critic and activist. Emily Dickinson was 31, an unknown, if prolific poet and a recluse. Yet, an improbable and intense friendship began. Dickinson reached out to Higginson, who responded to the genius he saw in her work. Their correspondence would continue for the next quarter century, with Dickinson sending Higginson almost 100 of her poems. After her death, Higginson became a co-editor of Dickinson's work and arranged for its publication. Drawing on 25 years' worth of Dickinson's letters (Higginson's are lost), Brenda Wineapple re-creates this extraordinary friendship in her book White Heat, which was a finalist for National Book Critics Circle Award. White Heat combines biography, literary criticism and history. The result is a book that allows us to see Dickinson and her poems through the eyes of a contemporary, as a person within the context of her times -- a genius to be sure, but more savvy than one might imagine. While Higginson emerges as a radical thinker, astute critic and wise friend.
Transcript
Transcript of conversation with Brenda Wineapple
Brenda Wineapple: I've found, over the years, that Emily Dickinson's poetry speaks to almost anyone, everyone. It's very, very unusual that way. But people have regarded her as an eccentric, which she is. And as a kind of almost a phobic shy person who lived in western Massachusetts. Sometime in her 20s decided never to -- not only never to go to another city, never to go to Boston anymore, but never to go out of the house. "I will not cross my father's ground for any house or town," she told Thomas Wentworth Higginson. So we see her as, kind of, alone and cut off from the world. And what this friendship does, and what I hope it does, is suggest the ways in which she was really very much part of the world. That she didn't have to go out to know what was going on. That she had a very active, creative, imaginative, and in a certain way, soc...
Read the full transcript
Musical Works
| Title | Artist | Album | Label | Year | Length |
|---|---|---|---|---|---|
| Simple Gifts | Luna Nova Quartet | 00:00 |
