99% Invisible #15- Sounds of the Artificial World (Standard 4:30 Version)
From: Roman Mars
Series: 99% Invisible (Standard Length)
Length: 04:31
Without all the beeps and chimes, without sonic feedback, all of your modern conveniences would be very hard to use. If a device and its sounds are designed correctly, it creates a special “theater of the mind” that users completely buy into. Electronic things are made to feel mechanical. It’s the feeling of movement, texture and articulation where none exists. We talk with Sound Designer Jim McKee of Earwax Productions about the art of designing organic sounds for inorganic things.
Also in the 99% Invisible (Standard Length) series
99% Invisible #76- The Modern Moloch (Standard 4:30 Version)
(04:29)
From: Roman Mars
The invention of Jaywalking.
99% Invisible #70- The Great Red Car Conspiracy (Standard 4:30 version)
(04:30)
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If you think you know this story, you probably have it backwards.
99% Invisible #71- In and Out of LOVE (Standard 4:30 version)
(04:30)
From: Roman Mars
Follow a breadcrumb trail of black wax and wheel marks to a secret war over public space.
99% Invisible #68- Built For Speed (standard 4:30 version)
(04:30)
From: Roman Mars
How long are lines on a highway?
99% Invisible #66- Kowloon Walled City (Standard 4:30 version)
(04:30)
From: Roman Mars
The densest place in human history.
99% Invisible #65- Razzle Dazzle (standard 4:30 version)
(04:30)
From: Roman Mars
This is probably not what you think of when you think of camouflage.
99% Invisible #63- The Political Stage (Standard 4:30 version)
(04:30)
From: Roman Mars
Seven-and-a-half secrets from the campaign trail.
99% Invisible #62- Q2 (Standard 4:30 version)
(04:31)
From: Roman Mars
The access to your queue has been queued.
99% Invisible #61- A Series of Tubes (Standard 4:30 version)
(04:29)
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A last mile problem and the pneumatic solution.
99% Invisible #60- Names v. The Nothing (Standard 4:30 version)
(04:30)
From: Roman Mars
Atreyu, Falcore, Freeway Eddy
Piece Description
Without all the beeps and chimes, without sonic feedback, all of your modern conveniences would be very hard to use. If a device and its sounds are designed correctly, it creates a special “theater of the mind” that users completely buy into. Electronic things are made to feel mechanical. It’s the feeling of movement, texture and articulation where none exists. We talk with Sound Designer Jim McKee of Earwax Productions about the art of designing organic sounds for inorganic things.





