Piece image
Image by: Sarah Rainwater Design (c) 2011 

1971: 'An American Family'; Our First Reality TV Show

Series: Action Speaks! 2011 Season: Conflict and Amusement in America: How Can it Hurt if it's so Much Fun?
From: Action Speaks
Length: 00:58:59

What's Real? What's Not? Does Anybody Care? Read the full description.

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Program Description: 

When Directors Alan and Susan Raymond put their cameras--and us--into the lives of an upper middle class white family from Santa Barbara in 1970-1971, California, the schisms in the American Family became readily apparent. What was revealed was not Leave it to Beaver. What was introduced was, well, unreal...or was it?

With this week's panelists, we will look at how TV changed through the popularity of An American Family.

With the current proliferation of 'Reality TV' and its 'reality' which often seems quite suspect, we will wonder what accounts for its popularity, whether or not An American Family can be seen as its direct ancestor and ask what it might be 'preparing us for.'

Here is a chance to look more deeply at a subject that sits with us in our living rooms, brought to you by an American Family that allowed us to sit in theirs.

This Program's Featured Panelists: 

Alan and Susan Raymond are Academy Award-winning filmmakers whose work influenced and changed the landscape of American television. In 1971, as the filmmakers of the seminal 1973 PBS cinema verite series An American Family, the Raymond's captured the daily life of the Loud family and forever changed the vision of the American family on television. Many of Alan and Susan Raymond's films are in the permanent collections of the Museum of Modern Art, the Paley Center for Media and Bibliothèque nationale de France, in Paris. The Raymonds have created feature length documentaries about dyslexia, schools in the era of No Child Left Behind, children at war and the rise of Elvis Presley. They have been selected for the Television Academy Archives as Emmy TV Legends and received The International Documentary Association Pioneer Award in 2010 for their body of work. Their films have been broadcast on PBS, ABC News, HBO, and the BBC.


Robert Self
 teaches and writes in twentieth-century U.S. history. His principal research interests are in urban history, the history of race and American political culture, post-1945 U.S. society and culture, and gender in the mid-century city. His first book, American Babylon: Race and the Struggle for for Postwar Oakland, was published by Princeton University Press in 2003. It won four professional prizes, including the James a. Rawley prize from the Organization of American Historians (OAH). He is currently at work on a book about gender, sexuality, and political culture in the U.S. from 1964 to 2004. for Postwar Oakland, was published by Princeton University Press in 2003. It won four professional prizes, including the James a. Rawley prize from the Organization of American Historians (OAH). He is currently at work on a book about gender, sexuality, and political culture in the U.S. from 1964 to 2004.


Lynne Joyrich
 is associate professor of Modern Culture and Media where she has taught film and television studies, as well as gender and sexuality studies, since 1999. She is the author of Re-viewing Reception: Television, Gender, and Postmodern Culture (Bloomington: Indiana UP, 1996) and of a number of articles and book chapters on film, television, feminist, queer, and cultural studies in various journals and anthologies. She is also a co-editor and member of the editorial collective of the media and cultural studies journal Camera Obscura.

 

 

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Piece Description

Program Description: 

When Directors Alan and Susan Raymond put their cameras--and us--into the lives of an upper middle class white family from Santa Barbara in 1970-1971, California, the schisms in the American Family became readily apparent. What was revealed was not Leave it to Beaver. What was introduced was, well, unreal...or was it?

With this week's panelists, we will look at how TV changed through the popularity of An American Family.

With the current proliferation of 'Reality TV' and its 'reality' which often seems quite suspect, we will wonder what accounts for its popularity, whether or not An American Family can be seen as its direct ancestor and ask what it might be 'preparing us for.'

Here is a chance to look more deeply at a subject that sits with us in our living rooms, brought to you by an American Family that allowed us to sit in theirs.

This Program's Featured Panelists: 

Alan and Susan Raymond are Academy Award-winning filmmakers whose work influenced and changed the landscape of American television. In 1971, as the filmmakers of the seminal 1973 PBS cinema verite series An American Family, the Raymond's captured the daily life of the Loud family and forever changed the vision of the American family on television. Many of Alan and Susan Raymond's films are in the permanent collections of the Museum of Modern Art, the Paley Center for Media and Bibliothèque nationale de France, in Paris. The Raymonds have created feature length documentaries about dyslexia, schools in the era of No Child Left Behind, children at war and the rise of Elvis Presley. They have been selected for the Television Academy Archives as Emmy TV Legends and received The International Documentary Association Pioneer Award in 2010 for their body of work. Their films have been broadcast on PBS, ABC News, HBO, and the BBC.


Robert Self
 teaches and writes in twentieth-century U.S. history. His principal research interests are in urban history, the history of race and American political culture, post-1945 U.S. society and culture, and gender in the mid-century city. His first book, American Babylon: Race and the Struggle for for Postwar Oakland, was published by Princeton University Press in 2003. It won four professional prizes, including the James a. Rawley prize from the Organization of American Historians (OAH). He is currently at work on a book about gender, sexuality, and political culture in the U.S. from 1964 to 2004. for Postwar Oakland, was published by Princeton University Press in 2003. It won four professional prizes, including the James a. Rawley prize from the Organization of American Historians (OAH). He is currently at work on a book about gender, sexuality, and political culture in the U.S. from 1964 to 2004.


Lynne Joyrich
 is associate professor of Modern Culture and Media where she has taught film and television studies, as well as gender and sexuality studies, since 1999. She is the author of Re-viewing Reception: Television, Gender, and Postmodern Culture (Bloomington: Indiana UP, 1996) and of a number of articles and book chapters on film, television, feminist, queer, and cultural studies in various journals and anthologies. She is also a co-editor and member of the editorial collective of the media and cultural studies journal Camera Obscura.

 

 

Timing and Cues

No Breaks.

Additional Credits

Action Speaks! is produced by AS220 with generous funding from the Rhode Island Council for the Humanities and the Law Firm of Robinson & Cole, LLP. Special thanks to our Media Partners: WGBH, RIPBS and The Providence Phoenix, Executive Producer and Host Marc Levitt, Executive Producer Bert Crenca, Producer Kaitlynne Ward, Sound Engineer Jim Moses, House Manager Zac Drummond, Sound Support Staff Anthony Ferreria, Interns Jacquelyn Harris and Nate Weisenberg, Volunteer Alyssa Kichula, Graphic Designer Sarah Rainwater, AS220 Staff, and Providence's own What Cheer Brigade for our original intro music.

Related Website

www.actionspeaksradio.org