
1971: 'An American Family'; Our First Reality TV Show
Series: Action Speaks! 2011 Season: Conflict and Amusement in America: How Can it Hurt if it's so Much Fun?
From: Action Speaks
Length: 00:58:59
Program Description: With this week's panelists, we will look at how TV changed through the popularity of An American Family. With the current proliferation of 'Reality TV' and its 'reality' which often seems quite suspect, we will wonder what accounts for its popularity, whether or not An American Family can be seen as its direct ancestor and ask what it might be 'preparing us for.' Here is a chance to look more deeply at a subject that sits with us in our living rooms, brought to you by an American Family that allowed us to sit in theirs.
When Directors Alan and Susan Raymond put their cameras--and us--into the lives of an upper middle class white family from Santa Barbara in 1970-1971, California, the schisms in the American Family became readily apparent. What was revealed was not Leave it to Beaver. What was introduced was, well, unreal...or was it?
This Program's Featured Panelists:
Robert Self teaches and writes in twentieth-century U.S. history. His principal research interests are in urban history, the history of race and American political culture, post-1945 U.S. society and culture, and gender in the mid-century city. His first book, American Babylon: Race and the Struggle for for Postwar Oakland, was published by Princeton University Press in 2003. It won four professional prizes, including the James a. Rawley prize from the Organization of American Historians (OAH). He is currently at work on a book about gender, sexuality, and political culture in the U.S. from 1964 to 2004. for Postwar Oakland, was published by Princeton University Press in 2003. It won four professional prizes, including the James a. Rawley prize from the Organization of American Historians (OAH). He is currently at work on a book about gender, sexuality, and political culture in the U.S. from 1964 to 2004.
Lynne Joyrich is associate professor of Modern Culture and Media where she has taught film and television studies, as well as gender and sexuality studies, since 1999. She is the author of Re-viewing Reception: Television, Gender, and Postmodern Culture (Bloomington: Indiana UP, 1996) and of a number of articles and book chapters on film, television, feminist, queer, and cultural studies in various journals and anthologies. She is also a co-editor and member of the editorial collective of the media and cultural studies journal Camera Obscura.
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Piece Description
Program Description: With this week's panelists, we will look at how TV changed through the popularity of An American Family. With the current proliferation of 'Reality TV' and its 'reality' which often seems quite suspect, we will wonder what accounts for its popularity, whether or not An American Family can be seen as its direct ancestor and ask what it might be 'preparing us for.' Here is a chance to look more deeply at a subject that sits with us in our living rooms, brought to you by an American Family that allowed us to sit in theirs.
When Directors Alan and Susan Raymond put their cameras--and us--into the lives of an upper middle class white family from Santa Barbara in 1970-1971, California, the schisms in the American Family became readily apparent. What was revealed was not Leave it to Beaver. What was introduced was, well, unreal...or was it?
This Program's Featured Panelists:
Robert Self teaches and writes in twentieth-century U.S. history. His principal research interests are in urban history, the history of race and American political culture, post-1945 U.S. society and culture, and gender in the mid-century city. His first book, American Babylon: Race and the Struggle for for Postwar Oakland, was published by Princeton University Press in 2003. It won four professional prizes, including the James a. Rawley prize from the Organization of American Historians (OAH). He is currently at work on a book about gender, sexuality, and political culture in the U.S. from 1964 to 2004. for Postwar Oakland, was published by Princeton University Press in 2003. It won four professional prizes, including the James a. Rawley prize from the Organization of American Historians (OAH). He is currently at work on a book about gender, sexuality, and political culture in the U.S. from 1964 to 2004.
Lynne Joyrich is associate professor of Modern Culture and Media where she has taught film and television studies, as well as gender and sexuality studies, since 1999. She is the author of Re-viewing Reception: Television, Gender, and Postmodern Culture (Bloomington: Indiana UP, 1996) and of a number of articles and book chapters on film, television, feminist, queer, and cultural studies in various journals and anthologies. She is also a co-editor and member of the editorial collective of the media and cultural studies journal Camera Obscura.
Timing and Cues
No Breaks.
Additional Credits
Action Speaks! is produced by AS220 with generous funding from the Rhode Island Council for the Humanities and the Law Firm of Robinson & Cole, LLP. Special thanks to our Media Partners: WGBH, RIPBS and The Providence Phoenix, Executive Producer and Host Marc Levitt, Executive Producer Bert Crenca, Producer Kaitlynne Ward, Sound Engineer Jim Moses, House Manager Zac Drummond, Sound Support Staff Anthony Ferreria, Interns Jacquelyn Harris and Nate Weisenberg, Volunteer Alyssa Kichula, Graphic Designer Sarah Rainwater, AS220 Staff, and Providence's own What Cheer Brigade for our original intro music.