
More from Eve Abrams
Poetic Port of Entry
(00:05:34)
From: Eve Abrams
Meena means "port of entry" in Arabic -- a fitting name for the journal of poetry, art, and literature produced in the ports of New Orleans, Louisiana and Alexandria, Egypt, ...
Adult Play Time
(00:05:46)
From: Eve Abrams
This short documentary (with music!) provides a window into the costuming tradition in New Orleans.
Since The Flood
(00:02:51)
From: Eve Abrams
New Orleanians reflect on their lives in the three years since the failure of the Federal Levees resulting from Hurricane Katrina
Costuming for Mardi Gras
(00:05:30)
From: Eve Abrams
Costuming is a way of life during the Mardi Gras Season
A New Orleans Way of Life: Costuming, Volume I
(00:06:03)
From: Eve Abrams
Step inside the transformative world of costuming -- adult play time in New Orleans
A Mardi Gras Sisyphus Story
(00:05:50)
From: Eve Abrams
Living in New Orleans is like pushing a boulder up a hill
In Praise of New Orleans Brass Bands
(00:06:00)
From: Eve Abrams
This oral essay sings the praises of one of New Orleans' greatest gifts to the world: brass bands.
Piece Description
For 185 years, the Fulton Fish Market has been selling fish from lower Manhattan -- just south of the Brooklyn Bridge, along the East River. A long anticipated move to a brand-new facility in the Hunt's Point section of the Bronx has been stalled, most recently, by a wrangle in court over who will unload the market's fish. Ten years ago, under the Giuliani administration, in an attempt to route out organized crime from the fish market, an exclusive unloading contract was granted to Laro Services. Now, a consortium of market wholesalers, approved by the city's Business Integrity Commission, want to streamline their business and unload their own fish. Until a decision is reached in court about who will haul the fish New York City eats off of trucks and into the marketplace, Fulton Fish Market is staying put where it's always been: outside, a block from the South Street Seaport, a world unto itself. Will the market move? and what do the men who work there, between 1 and 7 a.m., think about heading up to the Bronx? During the hours when most of the time zone is sleeping, I talked with some of the men who work at the market. They shared their thoughts about fish, they explained their jobs and how the market works, and, of course, they thought out loud about what it will mean to take the whole show and put it on a different road.
4 Comments
|
Review of Are we moving yet? (The men of the Fulton Fish Market)One of the good things about this piece is that it takes us to a place where we usually don't go - at least during those working hours. Having said that,I agree with Dmae, generally. I think the listener may feel like he is in the market but I think it's like he's always talking to the workers and never standing by, "just watching" them working. How can I say it? There's some background action that could take the front line here and there, something like that. But, even so, it was a nice tour for me, "over the ocean". |
|
Review of Are we moving yet? (The men of the Fulton Fish Market)The Fulton Fish Market is New York. The voices in Eve Abram's piece are the song and cadence of a city whose soul lies not in Trump Tower, 5th Avenue, or the grand vistas of Central Park, but in the fish hooks, ice trays, and pre-dawn hours of the Fulton Fish Market. I would only suggest a brief intro by the author to set-up the piece. |
Timing and Cues
six minutes, forty seconds


Joseph Dougherty
Posted on March 04, 2007 at 01:55 PM | Permalink
Review of Are we moving yet? (The men of the Fulton Fish Market)
"The sun comes up, it's almost over."
A simple, unpretentious tumbling portrait of the voices of the men of New York's Fulton Fishmarket. It's meant to ramble, but as such it probably would benefit from programming in the context of a wider discussion of the American work place or labor in general. But the voices themselves are the irresistible heart of the piece. Studs Terkel would approve.