Piece image

SNOW FLOWER AND THE SECRET FAN -- Wayne Wang Interview

Series: Behind the Scenes
From: Andrea Chase
Length: 00:16:21

Embed_button
Wayne Wang talks high heels, bound feet, and radical Quakers Read the full description.

Snowflowerposter_small Wayne Wang started his career with films exploring the Chinese experience, most notably, CHAN IS MISSING, an indie hit about a cab driver in San Francisco's Chinatown. After a sojourn working in studio films such as THE JOY LUCK CLUB and then THE LAST HOLIDAY, he returned to his indie and ethnic roots with THE PRINCESS OF NEBRASKA and now, SNOW FLOWER AND THE SECRET FAN, adapted from the novel by Lisa See. When we spoke on July 6, 2011, he discussed using the feminine side of his nature, understanding the effect of high heels by wearing a pair for a day, and why he changed the novel's plot by including a parallel story set in present-day Shanghai. He also speaks frankly about the pitfalls of making a film with Asian characters for a non-Asian audience, and how he ended up on a radical Quaker ranch when he first arrived in the United States from China.

Also in the Behind the Scenes series

Caption: Katie Pofahl & Mark Shelley, San Francisco, CA 5/5/12, Credit: Andrea Chase

OTTER 501 -- Mark Shelley and Katie Pofahl interview (00:18:25)
From: Andrea Chase

Executive Producer/Director of Photography Mark Shelley and star Katie Pofahl talk otters, kelp forests, and doing the right thing.
Caption: Jessica Yu, San Francisco, CA 5/1/12, Credit: Andrea Chase

LAST CALL AT THE OASIS -- Jessica Yu interview (00:09:58)
From: Andrea Chase

Filmmaker Jessica Yu talks water, spin, and denial.
Piece image

SOUND OF MY VOICE -- Zal Batmanglij and Brit Marling interview (00:13:24)
From: Andrea Chase

Zal Batmanglij and Brit Marling talk metonymy, subversion, and embracing the apocalypse.
Caption: Richard Linklater, San Francisco, CA 4/20/12, Credit: Andrea Chase

BERNIE -- Richard Linklater interview (00:10:02)
From: Andrea Chase

Richard Linklater talks law, justice, and small town life.
Caption: Peter Lord and friends, San Francisco, CA 4/10/12, Credit: Andrea Chase

THE PIRATES! BAND OF MISFITS -- Co-director Peter Lord interview (00:12:57)
From: Andrea Chase

Peter Lord talks animated dreams, ukulele outbreaks, and creative anachronisms.
Caption: Ziggy Marley, Half Moon Bay, CA 4/19/12, Credit: Andrea Chase

MARLEY -- Ziggy Marley Interview (00:08:06)
From: Andrea Chase

Ziggy Marley talks reggae, filmmaking, and overcoming fear.
Caption: Austin Vickers, San Francisco, CA 4/13/12, Credit: Andrea Chase

THE PEOPLE VS. THE STATE OF ILLUSION -- Filmmaker Austin Vickers (00:19:11)
From: Andrea Chase

Austin Vickers talks attitude, imagination, and particle physics.
Caption: Nicholas Sparks, San Francisco, CA 4/13/12, Credit: Andrea Chase

THE LUCKY ONE -- Nicholas Sparks interview (00:12:21)
From: Andrea Chase

Nicholas Sparks talks romance, editing, and why dogs are an author's best friend.
Caption: Joseph Kahn, San Francisco, CA April 12, 2012, Credit: Andrea Chase

DETENTION -- Director/co-writer Joseph Kahn interview. (00:10:11)
From: Andrea Chase

Joseph Kahn talks short forms, intricate plots, and falling in love with Britney.
Caption: Drew Goddard & Amy Acker, San Francisco, CA 4/4/12, Credit: Andrea Chase

THE CABIN IN THE WOODS -- Drew Goddard and Amy Acker interview (00:08:14)
From: Andrea Chase

Director/co-writer Drew Goddard and co-star Amy Acker talk existentialism, office parties, and the enduring appeal of the Whedon-verse.

Piece Description

Wayne Wang started his career with films exploring the Chinese experience, most notably, CHAN IS MISSING, an indie hit about a cab driver in San Francisco's Chinatown. After a sojourn working in studio films such as THE JOY LUCK CLUB and then THE LAST HOLIDAY, he returned to his indie and ethnic roots with THE PRINCESS OF NEBRASKA and now, SNOW FLOWER AND THE SECRET FAN, adapted from the novel by Lisa See. When we spoke on July 6, 2011, he discussed using the feminine side of his nature, understanding the effect of high heels by wearing a pair for a day, and why he changed the novel's plot by including a parallel story set in present-day Shanghai. He also speaks frankly about the pitfalls of making a film with Asian characters for a non-Asian audience, and how he ended up on a radical Quaker ranch when he first arrived in the United States from China.

Intro and Outro

INTRO:

Andrea Chase takes you Behind the Scenes of SNOW FLOWER AND THE SECRET FAN with director, Wayne Wang. It's a tale told in two centuries about the power, pain, and pleasure of female friendship. The same actresses, Gianna Jun and Li BingBing portray two sets of low tung, or old sames, women who have signed a formal contract to be each other’s best friend forever. In the 19th century, they are Snow Flower and Lily, one rich, one poor, who suffer foot-binding on the same day, both in hopes of landing a good match, and remain close despite the vicissistudes of separation, changes in fortune, and familial obligations. In the present, they are Sophia and Nina, the former an unloved step-child of a class-conscious woman, the other an adored daughter of a struggling family who have pinned their hopes on their daughter’s achievements. Though it is only the former pair of friends who use Nu Shu, a secret women’s language, to communicate, the subtlety of long-term, committed relationships makes for its own specific, inside language used by the friends to communicate with one another, or not, as the case may be. Wang directed from a script by Michael K Ray, Ron Bass, and Angela Workman, which in turn was based on the book by Linda See. Wang burst upon the indie film scene with his groundbreaking CHAN IS MISSING, set in San Francisco’s Chinatown, and has since gone on to direct THE JOY LUCK CLUB, SMOKE, and THE PRINCESS OF NEBRASKA.

OUTRO:

Andrea Chase has taken you Behind the Scenes of SNOW FLOWER AND THE SECRET FAN with its director, Wayne Wang.