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Innocent Voices

From: Voices of Our World
Length: 00:27:58

Oscar Torres was sent to the United States, to avoid being conscripted into either the government militia or the guerilla army during El Salvador's civil war. He wrote Innocent Voices to tell the story of child soldiers who didn't get out. Read the full description.
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Piece Description

Part One: INNOCENT VOICES: In 1986 eleven year old Oscar Torres hugged his mother goodbye as she sent him off to the United States, literally to save his life. Oscar’s very next birthday would have made him eligible for conscription into either the government militia or the guerilla army, fighting a brutal civil war in El Salvador that raged from 1980 to 1992. Oscar then grew-up in relative safety and turned the nightmarish memories of his war torn childhood into a movie screenplay. A chance meeting with acclaimed, Mexican born film director, Luis Mandoki, launched a friendship and a recently released movie, Innocent Voices. Kathy Golden talks with director, Luis Mandoki and writer and principal character, Oscar Torres. Optional Cutaway Cue: “You’re listening to Voices of Our World" at 14:00. Part Two: INNOCENCE LOST: The movie, Innocent Voices, is far more about the issue of child soldiers than it is specifically about the Salvadoran civil war. Today about 300,000 children have been drafted into the turmoil of 33 current national civil wars. These children are serving as combatants, porters, sex slaves, decoys, spies and human landmine detectors. When director, Luis Mandoki had some difficulty getting his child actors to comprehend the gravity of their roles, he explained to them that they were making the film so that children might never become the pawns of war again. Kathy continues her discussion with Luis Mandoki and Oscar Torres. Then members of the audience give their comments on the film, Innocent Voices.

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Review of Innocent Voices

This 30-minute interview with filmmaker Luis Mandoki and screenwriter Oscar Torres deals with the topic of children and their conscription in war. The content is informative and moving, but I wanted to hear more from Torres, who as a child lived in El Salvador during guerilla and government warfare, and escaped. Mandoki is eloquent in describing why the film was important to make and how he worked with Torres to get at a deeper story, but interestingly, it is he who provides the emotional content, not Torres.
Produced by the Maryknolls, who are known and respected for their social justice ministry, the program begins with a long, heavy-handed set up before we get to the interview. Once the host reflects on what a normal childhood is, the interview can begin. Unfortunately the interviewer is off mic, and you have to listen carefully to hear her questions, but the answers are clear. The program ends with a vox pop done with viewers leaving the film, and that's effective. On the whole, I think the anti-war message comes across well enough through the interviews; the host and the interviewer don't have to punch up that message themselves, as they do.

Transcript

Resources: Innocent Voices www.innocentvoicesmovie.com
Read the full transcript

Timing and Cues

OPTIONAL CUTAWAY CUE: “You’re listening to Voices of Our World" at 14:00.

End Cue: “And please be sure to join us next time for more Voices of Our World.” At 28:00.

Can be broadcast at 14:00 or 28:00 minutes. Format fits well into either time slot.

Musical Works

Innocent Voices film score by Andre Abujamra

Related Website

http://www.innocentvoicesmovie.com