Caption: Phil Nusbaum, Credit: Claire Nusbaum
Image by: Claire Nusbaum 
Phil Nusbaum 

Gems of Bluegrass 1107 Heavy Bluegrass Burdens

Series: Gems of Bluegrass
From: Philip Nusbaum
Length: 00:07:05

Many bluegrass songs depict heavy burdens borne by characters in songs, and by us listeners. That's the subject of this Gem of Bluegrass. Read the full description.

Head_shot_prx_small

The old Scots Irish ballads had plenty of blood and gore and that’s true for some of the old bluegrass, too. Some say it means that the audience for the music enjoys being just close enough to violence to view it but not get involved. But it just may be that violence is just one way to load a song with the feeling that everything is on the line. And burdens, too, of guilt, of getting up the nerve, and of having the moxie to listen. Now in the House Carpenter, the old boyfriend is back on the scene and he has a little proposition for his old flame.

To hear the full audio, sign up for a free PRX account or log in.

Also in the Gems of Bluegrass series

Caption: Phil w/ 2012 Seitfunk, Credit: Karen Van Norman

Gems #1224 "Bill Monroe tributes. For regular users, piece for June 9-15, 2012. Others use anyti... (00:07:44)
From: Philip Nusbaum

Today it is commonplace to acknowledge the extent of Bill Monroe’s contribution to bluegrass music: The instruments used, their function in a band, and the way singing is ...
Caption: Phil w/2012 Zeitgeist, Credit: Karen Van norman

Gems of Bluegrass #1223 Anthems (00:08:03)
From: Philip Nusbaum

Bill Monroe’s band was called the Bluegrass Boys after his home state of Kentucky. It was considered part of country music, and bands that adopted Monroe’s style were ...
Caption: Phil with 2012 Zeitfunk, Credit: Karen Van Norman

Gems of Bluegrass #1222 "Early Bluegrass and Loss" (00:05:15)
From: Philip Nusbaum

We know that bluegrass music is blue. The most obvious examples are the seemingly limitless number of songs about lovers breaking up. But in bluegrass, especially the old ...
Caption: Phil w/ 2012 Zeitfunk, Credit: Karen Van Norman

Gems of Bluegrass # 1221 "Bluegrass is Jazzy. But What Does that mean?" For regular users, May 19... (00:07:23)
From: Philip Nusbaum

In the early twentieth Century jazz and country music both had bad reputations among members of the music establishment. For one thing, with a lack of proper sheet music, ...
Caption: Phil w/2012 Zeitfunk, Credit: Karen Van Norman

Gems #1220 Is Bluegrass Folk (00:06:21)
From: Philip Nusbaum

If you think that folk music means singer with guitar, then bluegrass is not really folk. But before you slam the door on the idea of bluegrass being folk, consider that to ...
Caption: Phil w/ 2012 Zeitfunk, Credit: Karen Van Norman

Gems of Bluegrass #1219 Constructions, Deconstructions and Reinventions (00:10:53)
From: Philip Nusbaum

A recent Gem of Bluegrass addressed the recontexting of bluegrass songs. Take a bluegrass song or bluegrass approach and combine it with ideas from outside bluegrass, and you ...
Caption: Phil Nusbaum w/2012 Zeitfunk, Credit: Karen Van Norman

Gems of Bluegrass 1218 Hidden Challenges of Playing Bluegrass (00:07:27)
From: Philip Nusbaum

When you play bluegrass or any type of old time music, you rely on your ear. Sure, some of the music written down, but if you rely solely on written music, you deprive ...
Caption: Phil w/ 2012 Zeitfunk, Credit: Karen Van Norman

Gems of Bluegrass #1217 Bluegrass paradigm Change (00:08:28)
From: Philip Nusbaum

One of the great things about bluegrass is that it is always changing, always evolving. The 60’s was an era with a lot of change, and it may be happening again.
Caption: Phil w/2012 Zeitfunk, Credit: Karen Van Norman

Gems of Bluegrass #1216 Recontexting (00:09:33)
From: Philip Nusbaum

We know that bluegrass evolves over time. But what causes the evolution? Usually we think it’s caused by the little changes made by players. But where do players get these ...
Caption: Phil w/ 2012 Zeitfunk, Credit: Karen Van norman

Gems #1215 Bluegrass and the House of the Rising Sun For regular users, piece for April 7-13, 2... (00:08:34)
From: Philip Nusbaum

The House of the Rising Sun. It’s an old time song that’s been kept alive by a lot of singers. Why do singers like it? It might be that it sings of a life gone wrong in no ...

Piece Description

The old Scots Irish ballads had plenty of blood and gore and that’s true for some of the old bluegrass, too. Some say it means that the audience for the music enjoys being just close enough to violence to view it but not get involved. But it just may be that violence is just one way to load a song with the feeling that everything is on the line. And burdens, too, of guilt, of getting up the nerve, and of having the moxie to listen. Now in the House Carpenter, the old boyfriend is back on the scene and he has a little proposition for his old flame.

Transcript

Label Artist CD Song
County Clarence Ashley Greenback Dollar House Carpenter
Smithsonian Folkways Various, Carolina Tar Heels American Folk Music Peg and Awl
Lonesome Day Larry Cordle Took Down and Put Up I’m a Lie
Compass Dale Ann Bradley Catch Tomorrow Run Rufus Run
MCM Merle Haggard The Bluegrass Sessions Momma’s Hungry Eyes
Read the full transcript

Timing and Cues

in: music
out: UA
7:05

Intro and Outro

INTRO:

The old Scots Irish ballads had plenty of blood and gore and that’s true for some of the old bluegrass, too. Some say it means that the audience for the music enjoys being just close enough to violence to view it but not get involved. But it just may be that violence is just one way to load a song with the feeling that everything is on the line. And burdens, too, of guilt, of getting up the nerve, and of having the moxie to listen. Now in the House Carpenter, the old boyfriend is back on the scene and he has a little proposition for his old flame

OUTRO:

You might play something like John Henry as an example of a song relating to a person with a heavy burden. The Lilly Bros gersion is great, taken from a County CD.

Additional Credits

The Bluegrass Review is supported by a grant by the National Endowment for the Arts.