
- Playing
- Appalachia Rising
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- Al Letson
State of the Re:Union
Appalachia Rising
SOTRU explores rural Appalachia.
Host Al Letson
DESCRIPTION: Rural Appalachia has long been portrayed in the media as a place of victims: people at the mercy of the region’s poverty or bigotry. In this episode, SOTRU turns that notion of Appalachia on its head, telling stories of Appalachian residents fighting for the well-being of their land, people and culture. We travel to southern West Virginia, where former coal miners and their families are fighting destructive mountain-top removal mining and a small town is reinventing itself as a center for the arts. We visit Eastern Kentucky, where a community radio show has inspired an outpouring of activism around Appalachia’s for-profit prisons.
BILLBOARD (00:59)
Incue: From P-R-X and N-P-R
Outcue: But first, this news
NEWS HOLE: 1:00- 6:00
SEGMENT A (12:29)
Incue: From P-R-X and N-P-R
Outcue: And the people on both sides of the issue.
A. History of the Hollers, Revisited: In this segment, we consider the history of resistance in rural Appalachia, defying the stereotype of the uneducated hick to tell tales of the union organizing and other creative community-building that is part of this region’s ancestry. We get help on the specifics from Jeff Biggers, author of “The United States of Appalachia.”
B. Fighting for the Mountains: With the Upper Big Branch mining disaster in recent months, America was reacquainted with the risks of coal mining, and the presence the industry has in the lives many small, mountainous Appalachian communities… You can’t get away from coal in this region. It’s everywhere. While lots of people may envision the safety dangers for mining families, coal is having another seismic impact on community in the region through mountain top removal mining. This is a contentious form of surface mining—it basically consists of using explosives to blow the coal out of the ground. In this segment, we meet several Appalachians whose homes have been dramatically transformed by mountain top removal mining.
BREAK: 19:00- 20:00
SEGMENT B (18:59)
Incue: You're listening to State of the Re:Union
Outcue: P-R-X.O-R-G
A. Fighting for the Mountains (Continued): The story of mountain top removal mining in rural Appalachia is complicated by the huge role coal plays in the state’s economy. In this segment, we meet miners who defend the practice as an economic imperative, as well as those who claim mountain top removal mining is stripping underground miners of their jobs. We meet a former surface miner who’s life was changed by the fight to move his granddaughter’s school from the base of a mountain top removal mining operation. We also visit a small Appalachian community that has been turned into a ghost town by mountain top removal mining. When a coal company was to start such an operation, it often goes about buying out the population of entire small towns, families that may have lived in these mountain hollers for generations. People are faced with the decision of accepting the fact that their town is about to be blasted away (or so covered with coal dust because of nearby explosions that they’re unlivable) and getting some money for their ancestral home—or sticking it out. Understandably, most leave. But we meet one family that’s holding out—and forming an unlikely liason with environmental activists and others seeking to end mountain top coal removal.
BREAK: 39:00- 40:00
SEGMENT C (18:59)
Incue: You're listening to State of the Re:Union
Outcue: This is N-P-R
A. Holler to the Hood: a radio show rallies a prison community: Nick Szuberla hosts a hip hop show on a community radio station that broadcasts around central Appalachia—the only hip hop show for miles in this bluegrass region. And one day, he started getting requests by mail from prisoners. Since the mid-1990s, for-profit prisons have been opening in Appalachia, as local officials have looked for alternatives to coal for economic development. And it turns out a lot of the prisoners filling those new prisons were being shipped in from cities across the country—and they were longing for any taste of home. Nick’s hip hop radio show was that. They started out playing mail chess, but that quickly evolved into the radio show as forum for concerns prisoners had about the way they were being treated… and, as family members began to realize that prisoners were listening to the radio show, they started listening online and calling in to communicate with their loved ones.
B. Dear Appalachia Letter: A “Dear City” letter from Jason Howard of Berea, Kentucky.
C. Bringing the Riff Raff to Town: Lori McKinney grew up in Princeton, WV and left to study theater in college. It was when she was on a study abroad trip in Greece, that she had a series of personal epiphanies that brought her back to her hometown, with the goal of starting some artistic endeavor. When she met her now-husband, Robert, that turned into the Riff Raff Arts Collective. Mercer St. in Princeton had long been abandoned and rundown, but Lori had a vision for what it could be. She and Robert set up shop in an old downtown building, that, with the success of the Collective, has blossomed into 3 buildings. They hold open mics, host dance, music and art classes, and have inspired a music school for teens to open up across the street.
D. Vox: a collection of Appalachians consider the stereotype of their region, and what the rest of the world is missing.
PROGRAM OUT @ 59:00
BROADCAST WINDOW BEGINS 9/19
The fall season of The State of the Re:Union is available now on PRX and the ContentDepot without charge to all public radio stations, and may be aired an unlimited number of times prior to May 31, 2011. The program may be streamed live on station websites but not archived. Excerpting is permitted for promotional purposes only.
NOTE: Watch for news of a “bonus” SOTRU program intended for use on Veteran’s Day (November 11).
The State of the Re:Union is produced by Al Letson, and presented by PRX. Major funding for the State of the Re:Union comes from CPB, the Corporation for Public Broadcasting.
Thanks for your consideration of this season of SOTRU. Please contact Israel Smith at ismarketing@yahoo.com or 612-377-3256 with questions or to confirm carriage.
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Piece Description
State of the Re:Union
Appalachia Rising
SOTRU explores rural Appalachia.
Host Al Letson
DESCRIPTION: Rural Appalachia has long been portrayed in the media as a place of victims: people at the mercy of the region’s poverty or bigotry. In this episode, SOTRU turns that notion of Appalachia on its head, telling stories of Appalachian residents fighting for the well-being of their land, people and culture. We travel to southern West Virginia, where former coal miners and their families are fighting destructive mountain-top removal mining and a small town is reinventing itself as a center for the arts. We visit Eastern Kentucky, where a community radio show has inspired an outpouring of activism around Appalachia’s for-profit prisons.
BILLBOARD (00:59)
Incue: From P-R-X and N-P-R
Outcue: But first, this news
NEWS HOLE: 1:00- 6:00
SEGMENT A (12:29)
Incue: From P-R-X and N-P-R
Outcue: And the people on both sides of the issue.
A. History of the Hollers, Revisited: In this segment, we consider the history of resistance in rural Appalachia, defying the stereotype of the uneducated hick to tell tales of the union organizing and other creative community-building that is part of this region’s ancestry. We get help on the specifics from Jeff Biggers, author of “The United States of Appalachia.”
B. Fighting for the Mountains: With the Upper Big Branch mining disaster in recent months, America was reacquainted with the risks of coal mining, and the presence the industry has in the lives many small, mountainous Appalachian communities… You can’t get away from coal in this region. It’s everywhere. While lots of people may envision the safety dangers for mining families, coal is having another seismic impact on community in the region through mountain top removal mining. This is a contentious form of surface mining—it basically consists of using explosives to blow the coal out of the ground. In this segment, we meet several Appalachians whose homes have been dramatically transformed by mountain top removal mining.
BREAK: 19:00- 20:00
SEGMENT B (18:59)
Incue: You're listening to State of the Re:Union
Outcue: P-R-X.O-R-G
A. Fighting for the Mountains (Continued): The story of mountain top removal mining in rural Appalachia is complicated by the huge role coal plays in the state’s economy. In this segment, we meet miners who defend the practice as an economic imperative, as well as those who claim mountain top removal mining is stripping underground miners of their jobs. We meet a former surface miner who’s life was changed by the fight to move his granddaughter’s school from the base of a mountain top removal mining operation. We also visit a small Appalachian community that has been turned into a ghost town by mountain top removal mining. When a coal company was to start such an operation, it often goes about buying out the population of entire small towns, families that may have lived in these mountain hollers for generations. People are faced with the decision of accepting the fact that their town is about to be blasted away (or so covered with coal dust because of nearby explosions that they’re unlivable) and getting some money for their ancestral home—or sticking it out. Understandably, most leave. But we meet one family that’s holding out—and forming an unlikely liason with environmental activists and others seeking to end mountain top coal removal.
BREAK: 39:00- 40:00
SEGMENT C (18:59)
Incue: You're listening to State of the Re:Union
Outcue: This is N-P-R
A. Holler to the Hood: a radio show rallies a prison community: Nick Szuberla hosts a hip hop show on a community radio station that broadcasts around central Appalachia—the only hip hop show for miles in this bluegrass region. And one day, he started getting requests by mail from prisoners. Since the mid-1990s, for-profit prisons have been opening in Appalachia, as local officials have looked for alternatives to coal for economic development. And it turns out a lot of the prisoners filling those new prisons were being shipped in from cities across the country—and they were longing for any taste of home. Nick’s hip hop radio show was that. They started out playing mail chess, but that quickly evolved into the radio show as forum for concerns prisoners had about the way they were being treated… and, as family members began to realize that prisoners were listening to the radio show, they started listening online and calling in to communicate with their loved ones.
B. Dear Appalachia Letter: A “Dear City” letter from Jason Howard of Berea, Kentucky.
C. Bringing the Riff Raff to Town: Lori McKinney grew up in Princeton, WV and left to study theater in college. It was when she was on a study abroad trip in Greece, that she had a series of personal epiphanies that brought her back to her hometown, with the goal of starting some artistic endeavor. When she met her now-husband, Robert, that turned into the Riff Raff Arts Collective. Mercer St. in Princeton had long been abandoned and rundown, but Lori had a vision for what it could be. She and Robert set up shop in an old downtown building, that, with the success of the Collective, has blossomed into 3 buildings. They hold open mics, host dance, music and art classes, and have inspired a music school for teens to open up across the street.
D. Vox: a collection of Appalachians consider the stereotype of their region, and what the rest of the world is missing.
PROGRAM OUT @ 59:00
BROADCAST WINDOW BEGINS 9/19
The fall season of The State of the Re:Union is available now on PRX and the ContentDepot without charge to all public radio stations, and may be aired an unlimited number of times prior to May 31, 2011. The program may be streamed live on station websites but not archived. Excerpting is permitted for promotional purposes only.
NOTE: Watch for news of a “bonus” SOTRU program intended for use on Veteran’s Day (November 11).
The State of the Re:Union is produced by Al Letson, and presented by PRX. Major funding for the State of the Re:Union comes from CPB, the Corporation for Public Broadcasting.
Thanks for your consideration of this season of SOTRU. Please contact Israel Smith at ismarketing@yahoo.com or 612-377-3256 with questions or to confirm carriage.
2 Comments
|
what a love letter!My people are from Appalachia. They escaped debtors' prisons, indentured servitude, slavery and the Trail of Tears to live there. Now, there isn't one episode of SotR that hasn't moved me. But this one on Appalachia was so respectful, so profound, so loving. I grieve for my kin and my heart swells at our courage. Thank you so much. |
Musical Works
| Title | Artist | Album | Label | Year | Length |
|---|---|---|---|---|---|
| Train, Clap, Pretty Polly | Dirk Powell/Danjamowf Hill Hop | Holler to the Hood. | 00:00 | ||
| A Thousand Unpieced Suns | Erik Friedlander | Block Ice and Propane. | SkipStone Records | 2007 | 02:18 |
| Frame | Kaki King | Legs to Make Us Longer. | Epic | 2004 | 02:04 |
| Ingots | Kaki King | Legs to Make Us Longer. | Epic | 03:53 | |
| Remembrance | Balmorhea | All Is Wild, All Is Silent. | Western Vinyl Records | 2009 | 05:49 |
| Truth (Helios Remix) | Balmorhea | All Is Wild, All Is Silent. | Western Vinyl Records | 2009 | 07:05 |
| Bowsprit | Balmorhea | Constellations. | Western Vinyl Records | 2010 | 05:17 |
| What Do You Go Home To | Explosions in the Sky | All of a Sudden I Miss Everyone. | Temporary Residence | 2007 | 04:59 |
| Having to Do with a Cave | Nathan Hobbs | 00:00 | |||
| Owl in the Night | Nathan Hobbs | 00:00 | |||
| Many, Many | Option 22 | Choose the Music. | 05:23 | ||
| Seven Nation Army (Miss Behavin' Cover) | The White Stripes | Elephant. | V2 Records | 2003 | 03:51 |
| First in Flight | Blackalicious | Blazing Arrow. | Quannum Projects | 2002 | 04:32 |

Sandra Smallwood-Beltran
Posted on October 08, 2011 at 11:57 PM | Permalink
Educate us!
Excellent writing, great dynamic progression. The music is always on point and colorful, adding lots of texture. Intellingent critique of stereotypes. Tremendously valuable in informing how the generalizations came about and who benefits by keeping them alive. Splendid upbeat conclusion. Encore!