#48 - Roadway Renaissance Man
Series: SaltCast: the Backstory to Great Radio Storytelling
From: Salt Institute for Documentary Studies
Length: 00:09:50
Also in the SaltCast: the Backstory to Great Radio Storytelling series
#59 - Powered By Laughter
(00:13:11)
From: Salt Institute for Documentary Studies
At Salt we say "Music is emotional fascism." It's a bit tongue-in-cheek. But, the idea is that you want to be VERY careful when you choose to use music for scoring a story.
#58 - Dam Radio Story
(00:17:14)
From: Salt Institute for Documentary Studies
Sometimes the first step is the hardest. Same with starting a story.
#57 - Song of Marconi
(00:07:31)
From: Salt Institute for Documentary Studies
Artist and writer Dennis Downey's essay on Marconi, an early radio pioneer, and talking on the radio.
#56 - Dowser, Consultant to the Universe
(00:12:25)
From: Salt Institute for Documentary Studies
Dowswer Glenn Johnson makes a mistake.
#53 - Left For Dead
(00:17:50)
From: Salt Institute for Documentary Studies
"Left for Dead" is probably the most gruesome story reported by a Salt student. It's not for the faint of heart.
#54 - No Brother of Mine
(00:27:24)
From: Salt Institute for Documentary Studies
Diane Richard and her husband Todd Melby sure know how to pick a project with a long uphill road to the finish line. On this Saltcast, we talk with Diane and Richard about ...
#52 - Just Another Fish Story
(00:14:03)
From: Salt Institute for Documentary Studies
You didn’t hear this from me, but sometimes the best approach to working on a story is to not have much of a plan.
#51 - Portrait of a Psychic as a Young Man
(00:11:47)
From: Salt Institute for Documentary Studies
Ninety-nine percent of the time, using the pronoun “I” in a story is a journalistic no-no. But sometimes, it's a useful storytelling tool.
#50 - Ghetto Life 101
(00:38:07)
From: Salt Institute for Documentary Studies
“Ghetto Life 101" is a high-water mark for radio documentary and the story featured on this edition of the Saltcast — our fiftieth!!
Piece Description
There are lots of different ways to start a story. Maybe the most common is what I call “Here’s-how-things-are (or were)-here’s-how-they-are-different.”
Basically, the narrator describes what’s usual about a situation. Then they point to what’s different. A simple example is “Today was perfect. Bright sunshine. Light breeze. A couple of clouds. Then, out of nowhere, a deluge.”
The twist — the part where you point to what’s different — tells the listener what the story is about.
Carla Neufeldt’s “Roadway Renaissance Man” uses this technique to great effect. Take a listen to today’s Saltcast and see what you think.
As an added bonus, do yourself a favor. Listen to Carla’s piece once the whole way through. Then go back and check out how she “scored” the piece with music. Carla got pretty fancy in ProTools, the editing software we use at Salt.




