Caption: Dmae Roberts and her mom during their trip to Taiwan in 1989.
Dmae Roberts and her mom during their trip to Taiwan in 1989.  

#27 - Mei Mei, A Daughter's Song

Series: SaltCast: the Backstory to Great Radio Storytelling
From: Salt Institute for Documentary Studies
Length: 00:30:41

Independent producer Dmae Roberts produced “Mei Mei, A Daughter’s Song” in 1989. It was cutting edge then and it is, unfortunately, cutting edge now. Read the full description.

Meimei_small

O, how public radio has changed in the last twenty years.

With the exception of WNYC’s Radio Lab and specials from Hearing Voices, there is very little on public radio that tickles the ears. It wasn’t always that way. Up until about the 1990’s, public radio took chances.  Stations experimented and aired risky and unusual work right along with the tried and true.

But, today, much of the programming, aurally speaking, is pretty drab and staid. In fact, I’d say there’s a good chance very few public stations would play the piece featured on this Saltcast because of its non-traditional and artistic approach to production and storytelling — even though it was lauded when it  first hit the air twenty years ago.

Independent producer Dmae Roberts produced “Mei Mei, A Daughter’s Song” in 1989. It was cutting edge then and it is, unfortunately, cutting edge now.

O, to encounter more stories told like Mei Mei on the radio.

I hope you’ll raise a glass with me to celebrate the 20th anniversary of Mei Mei. And, after you listen to this Saltcast, check out Dmae’s other great work at dmaeroberts.com.

To hear the full audio, sign up for a free PRX account or log in.

Also in the SaltCast: the Backstory to Great Radio Storytelling series

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#56 - Dowser, Consultant to the Universe (00:12:25)
From: Salt Institute for Documentary Studies

Dowswer Glenn Johnson makes a mistake.
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#55 - How I Get By (00:14:35)
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#51 - Portrait of a Psychic as a Young Man (00:11:47)
From: Salt Institute for Documentary Studies

Ninety-nine percent of the time, using the pronoun “I” in a story is a journalistic no-no. But sometimes, it's a useful storytelling tool.
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#50 - Ghetto Life 101 (00:38:07)
From: Salt Institute for Documentary Studies

“Ghetto Life 101" is a high-water mark for radio documentary and the story featured on this edition of the Saltcast — our fiftieth!!

Piece Description

O, how public radio has changed in the last twenty years.

With the exception of WNYC’s Radio Lab and specials from Hearing Voices, there is very little on public radio that tickles the ears. It wasn’t always that way. Up until about the 1990’s, public radio took chances.  Stations experimented and aired risky and unusual work right along with the tried and true.

But, today, much of the programming, aurally speaking, is pretty drab and staid. In fact, I’d say there’s a good chance very few public stations would play the piece featured on this Saltcast because of its non-traditional and artistic approach to production and storytelling — even though it was lauded when it  first hit the air twenty years ago.

Independent producer Dmae Roberts produced “Mei Mei, A Daughter’s Song” in 1989. It was cutting edge then and it is, unfortunately, cutting edge now.

O, to encounter more stories told like Mei Mei on the radio.

I hope you’ll raise a glass with me to celebrate the 20th anniversary of Mei Mei. And, after you listen to this Saltcast, check out Dmae’s other great work at dmaeroberts.com.

1 Comment Atom Feed

Caption: PRX default User image

Mei Mei, a daughter's song

This is an incredible piece. It so familiar to my own feelings growing up with a mother who survived the Holocaust. The parallel 's are uncanny.

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