This well-produced piece about an eccentric artist that was discovered only after his death has two major distinctions: 1) it achieves something that is a real challenge on radio, namely, make the listener see something visual and - by the end - be extremely intrigued by it and 2) it delivers a kind of elegance that would blend very nicely on any station with arts and cultural programming, especially those bastions of serious classical or modern compositional music - but not only those stations - and the text is interesting and poetic. It calls for quiet, rational listening - like lots of good stuff does.