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James Beard: Brave New Kitchen

From: Melissa Waldron Lehner
Length: 00:08:36

Friends of Beard talk about his influence on the world of food. Read the full description.

Beardedited_small Long before the head of the James Beard Foundation was caught cooking the books, and long before the Foundation was even created, James Beard was cooking – cooking up a food revolution, that is. In the 1940s & 50s when the nation was reveling in American Jell-O salads, cocktail wiener canapes, and Pepsi-Cola Cakes, James Beard was busy creating local, seasonal American dishes, launching a revolution in food that is now only starting to be realized. Ruth Reichl, editor in chief of Gourmet magazine, food historian Betty Fussell, Alfred A Knopf editor Judith Jones, and NYU food studies professor Marion Nestle join restaurant consultant and author Clark Wolf, in an intimate discussion about Beard’s life and the enormous influences of this remarkable chef.

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Piece Description

Long before the head of the James Beard Foundation was caught cooking the books, and long before the Foundation was even created, James Beard was cooking – cooking up a food revolution, that is. In the 1940s & 50s when the nation was reveling in American Jell-O salads, cocktail wiener canapes, and Pepsi-Cola Cakes, James Beard was busy creating local, seasonal American dishes, launching a revolution in food that is now only starting to be realized. Ruth Reichl, editor in chief of Gourmet magazine, food historian Betty Fussell, Alfred A Knopf editor Judith Jones, and NYU food studies professor Marion Nestle join restaurant consultant and author Clark Wolf, in an intimate discussion about Beard’s life and the enormous influences of this remarkable chef.

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Review of James Beard: Brave New Kitchen

It's a tall order to summarize the effect that James Beard had on American cuisine in only 8.5 minutes, but this piece does an admirable job. I wish they had given a little time to how Beard made food and cooking an inviting area of interest for men. Perhaps another male voice like the founder of Williams-Sonoma would have been nice.

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Gilbert and Sullivan performed by D'Oyly Carte Opera

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