More from Susan Stone
Bullies
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From: Susan Stone
Audio snapshots about being bullied, or being the bully, by a few young men who have paid the price.
"If These Walls Could Talk: Inside Youth Speak Out" SEASON TWO
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From: Susan Stone
"IF THESE WALLS COULD TALK: Inside Youth Speak Out" is a poetry series drawn from testimonial writings by the youngest members of America's prison system. Written and ...
"If These Walls Could Talk: Inside Youth Speak Out" SEASON ONE
(00:23:41)
From: Susan Stone
"IF THESE WALLS COULD TALK: Inside Youth Speak Out" is a poetry series drawn from testimonial writings by the youngest members of America's prison system. Written and ...
Here There is No Moon (U.S. version 26:37)
(00:26:35)
From: Susan Stone
A portrait of the long, dark tunnel of the suicidal mind
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Earthquake stories from around the Pacific Rim
Piece Description
A college student leaps from a bridge, a young mother walks into a lake, a widow clings to a ledge. Impulse. Depression. Illness. Grief. “Here There Is No Moon” is a portrait of the suicidal mind from the perspective of those who have survived the bullet, the bottle, the jump --and those who have helped in rescue and intervention. There is the limbo in which some live: Why am I still here? Will I try again? Can I resume the life I almost left? For others, there is relief in having a second chance at life. And then there are the doctors, philosophers, counselors, and poets, like Sylvia Plath in her own words, who grapple with suicide as epidemic, violence, and siren song. But the fundamental question remains: Why does one commit suicide, while another does not? No one really knows the answer. Personal stories from those who might.
6 Comments
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Review of Here There is No Moon (European version 32:28)The piece is lovely, perhaps too lovely.
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Review of Here There is No Moon (European version 32:28)Here There Is No Moon follows more the structure of a piece of music than a documentary. Listeners do learn facts along the way, but they are brought along a not-necessarily-linear path through the different aspects of suicide: hearing from the ones who attempted it, the people who study it, the counselors who help prevent it, the police, the writers who try to put it into words And it works. Mostly. There are some intense moments: the juxtaposition of a calm reading (fiction?) about suicide with a loud, desperate 911 call; a layering of readings of suicide notes that all sound eerily similar. But the problem with a non-narrated, layered type of production like this one is that it needs memorable voices for a listener to latch onto. I felt as though there were too many characters/voices in this piece for me to keep track of, and I ended up not caring as much about some of them as I could have. Also, I was craving a bit of silence behind some of the interviews. The emotional content of what they were saying was not as strong with a musical background. But overall, this piece conveys the important message that suicide, though strange and scary, is something that is studied, written about and treated, and can be a transformative event in someone’s life. And many suicidal experiences are similar, even though the person feels like the last person on earth. |
Broadcast History
Broadcast history: Premieres May, 2005, U.S.
Summer, WDR
Transcript
Closing tag for piece:
If you or someone you know is feeling suicidal, call the National Hopeline Network’s toll free access number: 800-784-2433 or 1-800-SUICIDE
Read the full transcript
Musical Works
John Fahey: Requiem for Russel Blaine Cooper/The Singing Bridge of Memphis, Tn. (year n/a);
Cliff Martinez: What’s Your Daughter On? (2002)
Jan Garbarek: A Tale Begun (2005)






Jake Warga
Posted on July 31, 2005 at 09:13 AM | Permalink
Review of Here There is No Moon (European version 31:54)
A pleasant ride through troubled minds. Lots of voices saying powerful things. Well scored, perfect music to guide our emotional journey. Can hear the great energy that went into editing this piece; touched on many of the themes/topics that circle around the topic. A shorter version might get a national airing.
I didn’t connect with anyone however, seemed more of a reporter’s microphone that keeps a slight distance—we are only Hearing these stories, just an inch from feeling them. Liked the exploration of literature and performance readings, but feels, to me, a little jarring: a then/now? actor/ tape? shock. Liked the 911 tape sounds in the background, a reminder of the chaos. Beautifully edited layering of sounds and voices. Don’t need the PSA at the end, that can be done by someone inside the piece.