Festivals of Light/Families of Dysfunction
From: Barbara Bernstein
Series: Radio Tales For The Road
Length: 57:07
The first half of this third installment of RADIO TALES FOR THE ROAD is FESTIVALS OF LIGHTS, two stories by Barbara Bernstein - "Streets Beneath My Feet" about discovering radical politics on the streets of New York City in 1967 and "The Festival Express" an intimate trip into the counter-culture as we follow The Festival Express across Canada in 1970. The second half, FAMILIES OF DYSFUNCTION, features three musical stories by Portland Performance Poet Leanne Grabel: The Family Fate Ate, Thanksgiving 2001 and Seventeen Pounds of Butter and Mexican Tragedy. These stories dispute the cliche that if you remember the 60s you weren't really there. Barbara and Leanne prove in these stories that they were really there. First aired on KBOO-FM and Oregon Public Broadcasting in July and September 2003.
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Piece Description
The first half of this third installment of RADIO TALES FOR THE ROAD is FESTIVALS OF LIGHTS, two stories by Barbara Bernstein - "Streets Beneath My Feet" about discovering radical politics on the streets of New York City in 1967 and "The Festival Express" an intimate trip into the counter-culture as we follow The Festival Express across Canada in 1970. The second half, FAMILIES OF DYSFUNCTION, features three musical stories by Portland Performance Poet Leanne Grabel: The Family Fate Ate, Thanksgiving 2001 and Seventeen Pounds of Butter and Mexican Tragedy. These stories dispute the cliche that if you remember the 60s you weren't really there. Barbara and Leanne prove in these stories that they were really there. First aired on KBOO-FM and Oregon Public Broadcasting in July and September 2003.
Transcript
STREETS BENEATH MY FEET
American bombs fall on Baghdad. In San Francisco, we hear the news at the opening reception for a community radio conference. A hush drowns out the music and laughter. We drift away in small, subdued clusters.
Sitting in the hotel bar. CNN flickers soundlessly on television screens. Johnny Cash singing ?Folsom Prison Blues.? Suddenly the music stops. A slouching subdued Sadam Hussein wearing thick glasses is speaking to the people of Iraq on Iraqi TV, broadcast to the people of the America on CNN.
Next day at the radio conference. Hotel security guards rush past me. I sprint after them. Has the hotel has been attacked? Thousands of chanting protestors marching down Van Ess Avenue right past the hotel. We rush into the street and join the march.
Memories of peace marches propel my feet. We climb to the top of California Street. The march stre...
Read the full transcript
Additional Files
- (description) (FestivalExpress)
- (description) (FestivalExpress)
Eric Nuzum
Posted on February 13, 2004 at 06:03 AM | Permalink
Review of Festivals of Light/Families of Dysfunction
The technical and production quality of these programs is impressive. The first story, "Streets Beneath My Feet," includes some impressive record ambience of anti-war demonstrations. However, many of the pieces are augmented include sound effects and recreated sound, which lessens the piece's authenticity.
On several of the early stories, the writing is impressive. The producer writes for the ear and frames scenes within her stories in a way that lends well to listening. Several of the later stories, especially "Thanksgiving 2001," are a bit more leaden—sounding more like literary work or poetry read on the radio and thus, hard to follow.
Universally, these pieces tell interesting stories, but lack accompanying theme or contextual elements. While the producers describe autobiographical events, there is precious little reflection or understanding. The pieces tell stories, but don't share with the listener why he or she should care. This makes the stories feel somewhat incomplete; the issues and action they describe seem unresolved. That is why it may be best to separate these pieces out and offer them individually. On their own, the burden of offering a complete narrative and contextual structure is lifted. If well matched with other pieces, they can become vignettes or examples of the larger programs central theme.