Winner of the 2009 Prix Marulic for best documentary and winner of the Grand Award and a Gold Medal for Best Sound at the 2009 New York Festivals Awards for Radio Programming.
HARK! investigates the acoustic world of Early Modern England. Tracking down some ancient sounds that still exist, and evoking others which have become extinct, the documentary is an acoustic film building a soundtrack to imagine the noises of Elizabethan society through the ears of those who listened four centuries ago.
The Prix Marulic judges said:
"Sound is used not just to illustrate but to bring new dimensions, to tell new stories to the listener. The programme does not create a realistic soundscape of Elizabethan time, but it gives hints about that in a clever and amusing way. You can even smell the sounds of the pigs! The listener is encouraged, forced even, to think of the soundtrack of today, the noise pollution which surrounds us every moment."
The 52-minute feature was recorded and produced by Chris Brookes, Paolo Pietropaolo, and Alan Hall, with additional recording by Katie Birningham, and was inspired by Bruce Smith's book The Acoustic World of Early Modern England.
Piece Description
Winner of the 2009 Prix Marulic for best documentary and winner of the Grand Award and a Gold Medal for Best Sound at the 2009 New York Festivals Awards for Radio Programming.
HARK! investigates the acoustic world of Early Modern England. Tracking down some ancient sounds that still exist, and evoking others which have become extinct, the documentary is an acoustic film building a soundtrack to imagine the noises of Elizabethan society through the ears of those who listened four centuries ago.
The Prix Marulic judges said:
"Sound is used not just to illustrate but to bring new dimensions, to tell new stories to the listener. The programme does not create a realistic soundscape of Elizabethan time, but it gives hints about that in a clever and amusing way. You can even smell the sounds of the pigs! The listener is encouraged, forced even, to think of the soundtrack of today, the noise pollution which surrounds us every moment."
The 52-minute feature was recorded and produced by Chris Brookes, Paolo Pietropaolo, and Alan Hall, with additional recording by Katie Birningham, and was inspired by Bruce Smith's book The Acoustic World of Early Modern England.
Broadcast History
First broadcast across Canada on CBC Radio 1 Sep 29, 2008. BBC version first broadcast on BBC Radio 3 Oct 5, 2008. CBC version has since been rebroadcast in Finland on YLE and in Australia on ABC.
Musical Works
| Title | Artist | Album | Label | Year | Length |
|---|---|---|---|---|---|
| The Frog Galliard | Anthony Rooley | Dowland, the Collected Works. | Decca | 01:04 | |
| Earl of Essex Galliard | Anthony Rooley | Dowland, the Collected Works. | Decca | 00:39 | |
| Chamberlains Galliard | Anthony Rooley | Dowland, the Collected Works. | Decca | 01:00 | |
| Cryers song of Cheapside | Consort of Musicke | T Ravenscroft, Songs, Catches & Rounds. | Veritas | 02:49 | |
| The City Cries | Theatre of Voices | The City Cries. | Harmonia Mundi | 02:12 | |
| Lachrimae Antiquae | The Kings Noyse w/ Paul O'Dette | Seaven Teares. | Harmonia Mundi | 01:20 | |
| Oranges & Lemons | Queldryk Chamber Choir | High-Music for high voices. | Paul Ayres CD HIGH | 01:20 | |
| The Country Cries | Theatre of Voices | The Cries of London. | Harmonia Mundi | 00:38 | |
| New Oysters | 1500 directed by Nancy Hadden | New Fashions: Cries & Ballads of London. | Crd | 01:21 |
Additional Credits
Additional recording by Katie Birningham





