
- Playing
- Change of Clothes
- From
- The Fine Arts Society of Indianapolis
These featured pieces must have been so inspiring in their original form that later composers saw fit to rework, orchestrate, or transcribe them. We will hear piano music of Mozart later orchestrated by Tchaikovsky (Mozart’s “Gluck” Variations later orchestrated into Tchaikovsky’s Fourth Orchestral Suite, final movement); a piano work by Ravel that the composer himself later made into a piece for orchestra (Le tombeau de Couperin); and a Mozart opera duet that Liszt later turned into a fantasy for piano (“La ci darem la mano from Don Giovanni Liszt transcribed into variations for his Don Juan Fantasy).
Also in the Art for Ears series
Leaping for Joy
(27:38)
From: The Fine Arts Society of Indianapolis
Supposedly someone asked Franz Josef Haydn why the Dona nobis pacem of his “Nelson” Mass was so exhilarating, and not the expected peaceful atmosphere.
More Legends
(28:52)
From: The Fine Arts Society of Indianapolis
In this program we explore legends kept alive by historic recordings and the performers’ unmatched contributions to the musical world.
Legends
(28:10)
From: The Fine Arts Society of Indianapolis
This week we study great legends of the past—legendary performers, legendary recordings.
Favorite Chopin
(26:41)
From: The Fine Arts Society of Indianapolis
Every dedicated listener surely has favorite Chopin performances.
Musical Journeys
(27:07)
From: The Fine Arts Society of Indianapolis
Featuring programmatic music of Richard Strauss (selections from Don Quixote); Liszt (an excerpt of Vallée d’Obermann from the Swiss book “Years of Pilgrimage”); Wagner (an ...
Astrology and Mythology
(26:29)
From: The Fine Arts Society of Indianapolis
This week we consider the influence of astrology and mythology on music.
“Call me unpredictable”
(27:18)
From: The Fine Arts Society of Indianapolis
The great lyricist Sammy Cahn once wrote the famous “Call me irresponsible” for a 1963 film. We all know the words sung by Frank Sinatra: “call me unreliable, throw in ...
Great Opera Duets
(26:53)
From: The Fine Arts Society of Indianapolis
Memorable moments in opera include great duets by peerless partners.
Turning Points
(28:36)
From: The Fine Arts Society of Indianapolis
Many times in the arts, in literature, in any discipline, a turning point in a story hinges on one decision, on one unfolding, on one change of direction.
Follow the Leader
(25:54)
From: The Fine Arts Society of Indianapolis
In today’s program we play “Follow the Leader” and listen to pieces in which one instrument imitates another.
Piece Description
These featured pieces must have been so inspiring in their original form that later composers saw fit to rework, orchestrate, or transcribe them. We will hear piano music of Mozart later orchestrated by Tchaikovsky (Mozart’s “Gluck” Variations later orchestrated into Tchaikovsky’s Fourth Orchestral Suite, final movement); a piano work by Ravel that the composer himself later made into a piece for orchestra (Le tombeau de Couperin); and a Mozart opera duet that Liszt later turned into a fantasy for piano (“La ci darem la mano from Don Giovanni Liszt transcribed into variations for his Don Juan Fantasy).
Timing and Cues
Total Runtime: 28:38



