Caption: The Salish Sea, Credit: Paolo Pietropaolo
Image by: Paolo Pietropaolo 
The Salish Sea 

Ode to the Salish Sea

From: Paolo Pietropaolo
Length: 08:42

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In the state of Washington and in British Columbia, Canada, some people are using a new, collective name for the waters now known as the Strait of Georgia, Juan de Fuca Strait and Puget Sound - a name that was created to honour the area's original inhabitants. The Ode to the Salish Sea is an aural dream-state that remixes the music of its waters and of the languages that stake a claim to name them. Read the full description.

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Ode to the Salish Sea is a composed documentary honoring the body of water that runs from south of Seattle to north of Vancouver and out to the Pacific Ocean, currently known by a number of names depending on where you are (including Puget Sound, the Strait of Georgia and Juan de Fuca Strait).

In the past few years a new name, the Salish Sea, has gained increasingly common usage, used in publications by area residents, marine biologists, First Nations/Native Americans, and even Parks Canada, the Government of Canada's national park department.  This informal use of a name that honours the area’s original inhabitants, the Coast Salish nations, has developed into a movement to officially add the name to the waters (without doing away with their current names).  

I gathered materials for the documentary by making field recordings of voices and sounds of the region. 

There are three voices heard in two languages (Hul’qumi’num and English): George Harris of the Chemainus First Nation, a native Hul’qumi’num speaker and a proponent of the new name; Keith Roy, spokesman for the Monarchist League of Canada, who opposes the name; and Briony Penn, a geographer and environmental activist whose family has lived on Salt Spring Island, BC, since the mid-nineteeth century.  The sounds are those of the waters: creeks, waves, boats, ferries and ambient sound, and the sounds of wildlife that depend on the Salish Sea for survival.  In addition, I have used a snippet of “God Save the King” to honour the origins of the name Strait of Georgia. 

I have layered, twisted, shaped, cut, processed and weaved these recordings into a composed documentary, musical in structure and ambient in aesthetic: an Ode to the Salish Sea.  The end result creates a dream-state balancing the reality of what the Strait of Georgia & Puget Sound sound like today with imagined past and future sounds of the Salish Sea. 

Place names are often spoken, and these audible sounds carry with them memory and culture – and thus, great meaning.  Native languages are disappearing at an alarming rate as elders die out.  In addition, every day, tonnes of earth from Seattle and Vancouver construction pits are dumped into the Salish Sea; every year, the salmon fishery is further threatened.  By capturing the sounds carried by the air and waters of the Sea, the Ode seeks to draw attention to the inter-connectedness of the area and its peoples and cultures. 

"Ode to the Salish Sea" was commissioned by CBC Radio's Outfront and the Deep Wireless Festival of Radio Arts on the theme of Ecology: Water, Air, Sound, and premiered on CBC Radio across Canada on May 15, 2009 and in octophonic surround sound at the Deep Wireless Festival in Toronto, Ontario on May 29 & 30, 2009.

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Piece Description

Ode to the Salish Sea is a composed documentary honoring the body of water that runs from south of Seattle to north of Vancouver and out to the Pacific Ocean, currently known by a number of names depending on where you are (including Puget Sound, the Strait of Georgia and Juan de Fuca Strait).

In the past few years a new name, the Salish Sea, has gained increasingly common usage, used in publications by area residents, marine biologists, First Nations/Native Americans, and even Parks Canada, the Government of Canada's national park department.  This informal use of a name that honours the area’s original inhabitants, the Coast Salish nations, has developed into a movement to officially add the name to the waters (without doing away with their current names).  

I gathered materials for the documentary by making field recordings of voices and sounds of the region. 

There are three voices heard in two languages (Hul’qumi’num and English): George Harris of the Chemainus First Nation, a native Hul’qumi’num speaker and a proponent of the new name; Keith Roy, spokesman for the Monarchist League of Canada, who opposes the name; and Briony Penn, a geographer and environmental activist whose family has lived on Salt Spring Island, BC, since the mid-nineteeth century.  The sounds are those of the waters: creeks, waves, boats, ferries and ambient sound, and the sounds of wildlife that depend on the Salish Sea for survival.  In addition, I have used a snippet of “God Save the King” to honour the origins of the name Strait of Georgia. 

I have layered, twisted, shaped, cut, processed and weaved these recordings into a composed documentary, musical in structure and ambient in aesthetic: an Ode to the Salish Sea.  The end result creates a dream-state balancing the reality of what the Strait of Georgia & Puget Sound sound like today with imagined past and future sounds of the Salish Sea. 

Place names are often spoken, and these audible sounds carry with them memory and culture – and thus, great meaning.  Native languages are disappearing at an alarming rate as elders die out.  In addition, every day, tonnes of earth from Seattle and Vancouver construction pits are dumped into the Salish Sea; every year, the salmon fishery is further threatened.  By capturing the sounds carried by the air and waters of the Sea, the Ode seeks to draw attention to the inter-connectedness of the area and its peoples and cultures. 

"Ode to the Salish Sea" was commissioned by CBC Radio's Outfront and the Deep Wireless Festival of Radio Arts on the theme of Ecology: Water, Air, Sound, and premiered on CBC Radio across Canada on May 15, 2009 and in octophonic surround sound at the Deep Wireless Festival in Toronto, Ontario on May 29 & 30, 2009.

2 Comments Atom Feed

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Eloquent and thought-provoking

A lovely piece, both informative and artistic. I especially liked the way it began in Hul'qumi'num without translation, the sounds of the sea itself and the evocative almost plaintive rendition of God Save the King.

User image

Beautifully crafted

Spacious, evocative, recorded and mixed to perfection. A listening treat.

Broadcast History

CBC Radio One, Outfront, May 15, 2009

Intro and Outro

INTRO:

Puget Sound has been known as Puget Sound for a long time. But before it was known as Puget Sound, people lived there who didn't call it by that name. Some people have started calling the waters of Puget Sound and the Strait of Georgia by a new name, a collective name - the Salish (SAY-lish) Sea. It's a name that honors the area's original inhabitants, the Coast Salish peoples. Ode to the Salish Sea is a composed documentary by Paolo Pietropaolo that pays homage to this beautiful part of the country and draws attention to the fragile interconnectedness of its cultures and environments.

OUTRO:

That was Ode to the Salish Sea, a composed documentary by Vancouver-based producer Paolo Pietropaolo. You heard the sounds of nature and industry in the Vancouver Island area of British Columbia, Canada. The three speaking voices belonged to Briony Penn, a local geographer and artist; Keith Roy, spokesperson for the Monarchist League of Canada; and George Harris, of the Chemainus (shuh-MAIN-us) First Nation, who spoke both in English and Hul'qumi'num (hull-kuh-MEE-num), one of the Coast Salish languages.

Musical Works

Title Artist Album Label Year Length
Ode to the Salish Sea Paolo Pietropaolo unreleased. 2009 08:00

Additional Credits

Canada Council for the Arts

Related Website

http://www.naisa.ca/deepwireless/residency.html