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Adult Play Time

From: Eve Abrams
Length: 00:05:46

This short documentary (with music!) provides a window into the costuming tradition in New Orleans. Read the full description.
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More from Eve Abrams

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Poetic Port of Entry (00:05:34)
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Meena means "port of entry" in Arabic -- a fitting name for the journal of poetry, art, and literature produced in the ports of New Orleans, Louisiana and Alexandria, Egypt, ...
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Since The Flood (00:02:51)
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New Orleanians reflect on their lives in the three years since the failure of the Federal Levees resulting from Hurricane Katrina
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Costuming for Mardi Gras (00:05:30)
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Costuming is a way of life during the Mardi Gras Season
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A New Orleans Way of Life: Costuming, Volume I (00:06:03)
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Step inside the transformative world of costuming -- adult play time in New Orleans
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Block Party (00:06:38)
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A block of Brooklynites revive an old tradition
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The Meeting (00:13:25)
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a short story, with a bit of music
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A Mardi Gras Sisyphus Story (00:05:50)
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Living in New Orleans is like pushing a boulder up a hill
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A post-Katrina Mardi Gras report
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Are we moving yet? (The men of the Fulton Fish Market) (00:06:40)
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New York City's Fish Market, and its move to the Bronx, from the voices of those who work there.
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In Praise of New Orleans Brass Bands (00:06:00)
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This oral essay sings the praises of one of New Orleans' greatest gifts to the world: brass bands.

Piece Description

For lots and lots of folks, Mardi Gras season means it's time to hit the thrift stores, take down the boxes, and purchase lots of suddenly, desperately needed essentials -- like glitter and wigs.  Costuming is more than fun; it's an outlet.  Being someone or something other than yourself is a part of life in New Orleans, and it's one folks get addicted to.

Broadcast History

B-Side Radio

Musical Works

Title Artist Album Label Year Length
Everyday is Mardi Gras Schatzy Macaroni and Bees. 2001 00:00
Walkie Talkie The Schatzy Band Nocturnal Wildlife Journal. Hot Spazz Records 2007 00:00

Additional Credits

A very similar version of this piece aired on B-Side in the Clothes that Make the (Wo)man episode.