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The Journey of Lady Buddha

From: Dmae Roberts
Length: 56:43

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A mythological and personal documentary about Kuan Yin, the Asian Goddess of Mercy and Compassion Read the full description.

Guanim_small "The Journey of Lady Buddha" is a personal and historical exploration of cultural conflicts in spirituality and the search for the Asian Goddess of compassion and mercy, Kuan Yin, by Amerasian Radio Producer Dmae Roberts, creator of the Peabody-award-winning "Mei Mei: A Daughter's Song." With commentary by Dr. Chu-Fang Yu and readings by Actress Elaine Low, Giang Pham, Yuquin Wang and Ping Khaw-Sutherland and music by Composer Stephen Hoyt. Winner of the Heart of America award. This has been independently distributed to about 100 stations as part of the three-part series Legacies: Faith, Hope and Peace. "Lady Buddha" would work for Asian New Year (Feb. 9th), Women's History Month (March) and Asian Pacific American Heritage Monthe (May). Credits are included at the end of the piece and are read by former Oregon Symphony Conductor James DePriest.

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Piece Description

"The Journey of Lady Buddha" is a personal and historical exploration of cultural conflicts in spirituality and the search for the Asian Goddess of compassion and mercy, Kuan Yin, by Amerasian Radio Producer Dmae Roberts, creator of the Peabody-award-winning "Mei Mei: A Daughter's Song." With commentary by Dr. Chu-Fang Yu and readings by Actress Elaine Low, Giang Pham, Yuquin Wang and Ping Khaw-Sutherland and music by Composer Stephen Hoyt. Winner of the Heart of America award. This has been independently distributed to about 100 stations as part of the three-part series Legacies: Faith, Hope and Peace. "Lady Buddha" would work for Asian New Year (Feb. 9th), Women's History Month (March) and Asian Pacific American Heritage Monthe (May). Credits are included at the end of the piece and are read by former Oregon Symphony Conductor James DePriest.

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Review of The Journey of Lady Buddha

WONDERFULLY rich and vibrant - a beautiful, engaging insight of Chinese (and Asian) religion and secularism, and the value of family, kin, goodness, kindness, generosity, and sacrafice.

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Review of The Journey of Lady Buddha

A truly beautiful presentation that weaves together the themes of the myth of a goddess, a daughter's search for understanding of her cultural inheritance, and her struggle to close the gap of language and faith that separates her from her mother.
Near the beginning especially I loved the long full Chinese reading. I didn't understand a word but was swept along by the cadence and beauty of those mysterious sounds and grateful that here finally was a producer letting her piece breathe, not rushing in with an English translation or some corny music. Well done.
Having said that however, I do feel that this would have been a more muscular piece if it had been forced to be just a bit shorter - perhaps around 30-45 minutes. The readings, however beautifully read, despite the lovely imagery, at a certain point just were too much, too long.
But Dmae's lovely writing and presentation brought my mind back as it started to stray during some of the later readings - and they were small strayings - I loved the way she was able to tie in the central myth with her own personal journey in search of the Lady Buddha and of her mother's love.
But its obvious why this programme is a prize winner. It's a well crafted, superbly written work of art and a proof that radio doesn't always have to be in a hurry.

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Review of The Journey of Lady Buddha

Dmae Roberts explores her own spiritual roots through a presentation of the Awakened Being of Great Compassion, the Bodhisattva Guan Shi Yin. Her moving theme: a daughter struggling to find a home in her multi-racial, multi-cultural background, particularly in terms of her mother's and grandmother's very different spiritualities. This theme speaks to many women and men in similar situations. Guan Yin's influence in Asia is so profound it parallels in many ways the cult of the Blessed Virgin in Roman Catholicism. Guan Yin has distinct resonance with Asian Buddhist women and Ms. Robert's haunting piece brings out the nuances with sensitivity and creativity. While avoiding a facile happy ending, she reaches instead an honesty that inspires hope in the listener: mothers and daughters can stay related through compassion and respect despite the gulf between East and West. This radio work includes story-telling, sound-effects and Chinese language used as aural spice. Suitable for any Asian-related cultural programming.

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Broadcast History

This has been independently distributed to about 100 stations as part of the three-part series Legacies: Faith, Hope and Peace in 1998.

Transcript

SOUND: STORM EFFECTS

DMAE:
1956. A year before I was born. The year my Taiwanese mother and my American serviceman father met in Taiwan, there was a great typhoon. Flooding. Devastation. Many people lost their homes and their lives. The people called out "Gwan Yim Posa"--Gwan Yim Posa"--"Gwan Yim Posa"--the Taiwanese name for the great goddess.

While the typhoon flooded the island, some American servicemen stationed in Taiwan took aerial photographs of the storm clouds. Then they returned to their base to develop the film. In the cloud formations, they could see the image of Gwan Yim Posa standing poised upon the head of a dragon.

My mother gave me a painting based on this photograph. I didn't know the stories then, but the kind face staring back at me in the painting wanted to make me find out more about her.

ACTRESS:
Kuan Yin...Gwan Yim Posa, Que Nam, Kannon....
Read the full transcript

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