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- StoryCorps: Billy Collins
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"My dad was subversively funny. He had a whole kind of Rolodex of one-liners for every occasion." Aired on WNYC's The Brian Lehrer Show 6/1/04 and Morning Edition 6/18/04.
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Piece Description
"My dad was subversively funny. He had a whole kind of Rolodex of one-liners for every occasion." Aired on WNYC's The Brian Lehrer Show 6/1/04 and Morning Edition 6/18/04.
2 Comments
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Review of StoryCorps: Billy CollinsFunny, funny piece. I felt like I was sitting in a restaurant and overhearing a conversation in the booth in back of me. Funny and intimate. Put anywhere in your program schedule that a bright spot is needed. Thanks for the laughs. |
Broadcast History
Aired on WNYC's The Brian Lehrer Show 6/1/04 and Morning Edition 6/18/04.
Intro and Outro
INTRO:And on this day, we are going to eavesdrop again on StoryCorps in Grand Central terminal. StoryCorps is a sound proof recording booth created by radio producer Dave Isay. Two people can conduct forty minute oral history interviews inside that booth, they talk to each other. You get a cd of the interview and with your permission a copy goes to the Library of Congress to become part of an oral history of America. Recently Nancy Cobb brought her friend, poet Billy Collins to the booth to remember his father.
That's Billy Collins reading his poem "Death Of A Hat." Other recordings from the StoryCorps project are at NPR-dot-ORG






James Reiss
Posted on June 16, 2010 at 10:49 PM | Permalink
Charming Billy Collins
What a splendid little piece! I’ve always figured ex–U.S. Poet Laureate Billy Collins developed his great sense of humor by himself. I recall one occasion swigging Tullamore Dew alone with Collins until we were both so schwacked that he began to speak in an Irish accent—and, naturally, I followed suit.
Turns out Collins inherited his flair for comedy from his dad. In this “StoryCorps” sketch he describes a practical joke his father played on one of the old man’s office co-workers. I won’t spoil the joke by summarizing it, except to say that, in its use of fedora hats, it resembles a time-honored vaudeville routine used on the stage. By the way, Samuel Beckett also used it in a somewhat different form in “Waiting for Godot.”
Not to get too serious about a subversively, sadistically funny Father’s Day story. Collins is probably America’s most popular living poet. One obvious reason for this is his wonderful wit. In poems as sturdy as shamrocks again and again he appears to have kissed the Blarney Stone—and attracted legions of readers.