This eight-minute piece of mine was originally performed as part of an evening of short plays by the Dog Ear Playwrights Collective at the 24th Street Theatre in Los Angeles. The theatre gave us a theme -- secrets and lies -- and encouraged us to let our imaginations go. I cannot fathom from which hidden aqueduct of my psyche I dredged up this little tale of two boy-obsessed twelve-year-old girls practicing their kissing on each other, but here it is nonetheless. The piece was subsequently performed at the Last Frontier Fringe Festival in Valdez, Alaska, and at the Lavender Footlights Festival in Miami, Florida. I produced this version in my home with two grown up actresses who sound convincing as twelve-year-olds, a shiny new Rode NT-4 stereo microphone, Apple Logic, and a tall leap of faith. The music and some effects are Apple loops, other effects I created with a digital recorder.

This eight-minute piece of mine was originally performed as part of an evening of short plays by the Dog Ear Playwrights Collective at the 24th Street Theatre in Los Angeles. The theatre gave us a theme -- secrets and lies -- and encouraged us to let our imaginations go. I cannot fathom from which hidden aqueduct of my psyche I dredged up this little tale of two boy-obsessed twelve-year-old girls practicing their kissing on each other, but here it is nonetheless. The piece was subsequently performed at the Last Frontier Fringe Festival in Valdez, Alaska, and at the Lavender Footlights Festival in Miami, Florida. I produced this version in my home with two grown up actresses who sound convincing as twelve-year-olds, a shiny new Rode NT-4 stereo microphone, Apple Logic, and a tall leap of faith. The music and some effects are Apple loops, other effects I created with a digital recorder.