Tony Schwartz: 30,000 Recordings Later
Series: Lost & Found Sound
From: The Kitchen Sisters
Length: 00:20:42
This is a profile of Tony Schwartz, an innovative and inspired sound gatherer, recording the sounds of America since 1945. Schwartz died on June 14, 2008 at the age of 84.
Schwartz composed the Lost and Found Sound series theme music, "Music in Marble Halls." He recorded it in the lobby of 14 East 36th Street in New York City in the late 1950s. Clarinet by Jimmy Giuffre with Mrs. Giuffre on High Heels.
TONY SCHWARTZ:
"New York 19" was the non-commercial musical life of my postal zone. And the postal zone was New York 19 at that time. It's 10019 now. That was the area I could travel in. I'm not able to travel far. I have agoraphobia and in walking I could just go around my postal zone in the midst of Manhattan.
I made the first portable recorder. I brought the VU meter from inside the case to the top so I could look down at it and see how loud things were and I put a strap on it so I could hang it over my shoulder, that was in 1945. I could go record children in the park doing jump rope rhymes. And I recorded the street festivals. I made fourteen records for Folkways records you can see them up there. The children's games of the streets -- I called it "1-2-3 and a Zing-Zing-Zing." "I won't go to Macys any more more more. There's a big fat policeman at the door door door..." I was interested in the sound around us.
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Piece Description
This is a profile of Tony Schwartz, an innovative and inspired sound gatherer, recording the sounds of America since 1945. Schwartz died on June 14, 2008 at the age of 84. Schwartz composed the Lost and Found Sound series theme music, "Music in Marble Halls." He recorded it in the lobby of 14 East 36th Street in New York City in the late 1950s. Clarinet by Jimmy Giuffre with Mrs. Giuffre on High Heels. TONY SCHWARTZ: "New York 19" was the non-commercial musical life of my postal zone. And the postal zone was New York 19 at that time. It's 10019 now. That was the area I could travel in. I'm not able to travel far. I have agoraphobia and in walking I could just go around my postal zone in the midst of Manhattan. I made the first portable recorder. I brought the VU meter from inside the case to the top so I could look down at it and see how loud things were and I put a strap on it so I could hang it over my shoulder, that was in 1945. I could go record children in the park doing jump rope rhymes. And I recorded the street festivals. I made fourteen records for Folkways records you can see them up there. The children's games of the streets -- I called it "1-2-3 and a Zing-Zing-Zing." "I won't go to Macys any more more more. There's a big fat policeman at the door door door..." I was interested in the sound around us.
Broadcast History
NPR's All Things Considered 02/26/99




Muriel Murch
Posted on June 24, 2008 at 04:38 PM | Permalink
Review of Tony Schwartz: 30,000 Recordings Later
For those of us who love the medium of radio and love what can be done with and by sound this piece is a Gem.
I remember hearing about Tony Schwartz as an odd duck swimming upstream in the audio waves of early recording and radio but I was never conscious of actually listening to any of his producitons. This piece, rebroadcast because of his passing, shows the incredibly breadth of his work. Just by gathering and sharing his recordings he enriched lives and brought personal happiness to his subjects. He also informed and educated a public that was, and remains, in need of such insightful information.
As always the harvest that the Kitchen Sisters gather and bring to the table is bountiful. Under the masterful hands of Jim McKee it is then prepared, sliced and stewed into the delicious mix that is the signature of their collaboration.
Listening to work like this, from Tony Schwartz through to Nicki Silva, Davia Nelson and Jim McKee inspires me. As long as work like this airs it gives me hope that information radio can truly still find room to engage the heart as well as inform the mind.