More from Megan Martin
Recordar es Volver (Remembering is Returning)
(00:11:22)
From: Megan Martin
A portrait of a farmer, his wife--the tortilla maker, and their life in Teposcolula, Oaxaca.
El Michoacano en la Mixteca (The Michoacano in the Mixteca)
(00:14:06)
From: Megan Martin
A migration story told and sung by Dionisio Arriola; recorded in Tlaxiaco, Oaxaca
Cuando la Fuerza Abandona para Uno (When strength abandons you)
(00:08:31)
From: Megan Martin
A migration Story told by Irineo Sánchez Hernández; recorded in Tlaxiaco, Oaxaca
Yo También Puedo (So Can I)
(00:13:15)
From: Megan Martin
A Migration Story: María Maldonado; recorded in Mixteco,and translated by her sister Araceli Maldonado Sandoval into Spanish.
El Ciclo (The Cycle)
(00:09:29)
From: Megan Martin
A farmer's story; a mix of poetry, sound and interviews.
La Leche Subió (The Milk Went Up)
(00:06:56)
From: Megan Martin
A Migration story: From San Juan Mixtepec, Oaxaca to Portland, Oregon
La Primera Vez (The First Time)
(00:17:57)
From: Megan Martin
A portrait of a chicken vendor in San Andrés Chicahuaxtla, Oaxaca.
Un Dueto (A Duet)
(00:10:43)
From: Megan Martin
A portrait of two musicians in the Bautista Family and the town they live in--San Juan Mixtepec, Oaxaca
Creative Time: 33 Years of Public Art in NYC, John Waters
(00:02:19)
From: Megan Martin
John Waters & The Hellfire Club: an audio stop on a tour of Creative Time's 33 Years of Public Art series
Creative Time: 33 Years of Public Art in NYC, DJ Spooky
(00:02:12)
From: Megan Martin
DJ Spooky & The Lincoln Center Out-of-Doors Series: an audio stop on a tour of Creative Time's 33 Years of Public Art series
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Piece Description
In May of 2007 Creative Time marked NYC's creative history by installing plaques at 33 sites that inspired them over the past three decades. The sites were chosen by a range of artists and writers who have made a mark on NY themselves. The audio stops were dubbed: "One Day It Will Please Us To Remember Even This." Passerby, following instructions on each plaque, could dial a number on their cell phones and listen at the site of the installation to a conversation with the artist or curator. Personal reactions and re-tellings of the installations peppered many unnoticed spots around NY. This capsule is about Love of a Poet, a16 song-cycle performed by John Kelly in the Battery Maritime Building in 1990 based on Robert Schumann's Dichterliebe. Kelly sings a bit from the song cycle, helping transport us back to that cavernous space in 1990.
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