Comments for Radiolab, Show 405: Pop Music

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This piece belongs to the series "Radiolab"

Produced by Jad Abumrad

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Summary: Why do some songs mercilessly stick in our heads and repeat themselves over and over?
 

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Review of Radio Lab, Show 405: Pop Music

Why do dreadful songs haunt us and never leave our head? That's how the show begins and it's a theme that recurs throughout.

But there's more to the show than just a witty investigation of this familiar topic.

Compelling narratives - mixed with engaging back and forths between Radio Lab's soul mates and cohosts, Jad Abumrad and Robert Krulwich - take us miles beyond the "damn, this is annoying" factor associated with songs and melodies that linger like bad house guests.

Listeners will hear why melodies (good, really bad and really good) stay in our head - but also, how they come into the composer's head to begin with - Tony Hatch's "Downtown," for example, made famous by Petula Clark.

The shows hosts and guests also investigate why American Country Music is just as popular - maybe even more popular - in Asia, Africa and other places where English is not spoken. There's even an accordion story with a happy ending.

Typical of many Radio Lab topics, delivery and sound-craft, this edition is funny, clever and endlessly inventive. It's also fascinating. You'll take away some PhD level medical, psychological, neurological and musicology mega data you previously thought only the genius next door could understand.

"Radio Lab, Show 405: Pop Music" is a credible candidate for your midday schedule, post ATC and for weekend airings. The driving pace of audio probably places it later, rather than earlier in the day.

This particular program, like many earlier Radio Lab shows, lives as much as a significant informative and entertaining opportunity for listeners as it is for us who want to make memorable and compelling radio.

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Review of Radio Lab, Show 405: Pop Music

This is one of the best produced shows I have heard in a while. As a professional Music Therapist I found the subject engaging and informative. The question of how music effects people and behavior in touched on in many ways. The info is edited and music is used to enhance the show. I recommend this show to anyone who wants to understand the mind and its connection to music. Well done!!

Larry Carlson,RMT

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Review of Radio Lab, Show 405: Pop Music

We were surprised to see Mr. Fox's comment posted as a review. To see his whole comment visit the discussion at:
http://blogs.wnyc.org/radiolab/2008/03/23/sound-off-was-radiolab-out-of-line/#comments

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Review of Radio Lab, Show 405: Pop Music

No pans or slams? Sorry if the truth hurts.

Interviewers Robert Krulwich and Oliver Kramer, and producers Lulu Miller and Jad Abumrad were incredibly rude to me during the two interviews they conducted with me for this show.

It is an atrociously awful episode of an absurdly pretentious program, and the segment in which my words are featured consists of atrocious and deceptive editing of an offensively adversarial pair (!) of interviews in which I felt I was speaking to a brick wall of ignorance in both cases (and was treated *extremely* rudely by both Kramer and Krulwich in the course of the actual interviews).

My worst fears were realized by the actual show as I heard it. My points are chopped up and reassembled to make me sound like I agreed with the tone of the interview questions, which I found utterly appallingly stupid.

I feel downright *abused* by this entire experience. There is no better word.

The entire show sounds like an amateur hour; high bourgeois gee whiz ethnocentric BS delivered in a breathy voice of ignorant wonder at the most obvious facts anyone with a modicum of knowledge about the world beyond the front seat of a Volvo station wagon.

Aaron Fox
Associate Professor of Music
Columbia University