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Monty Alexander: In his own words

From David Schulman | 00:07:10
Producers: David Schulman

 Credit:
In the mind of a Jamaican jazz master, Bob Marley meets Roy Rogers ...

Monty Alexander broke in as a session pianist at the same place where Bob Marley made his first records -- Studio One, in Kingston, Jamaica. By the time he was 17, he'd moved to the United States, where jazz bassist Ray Brown took him under his wing. Alexander quickly became known as a fluid and entertaining player of straight-ahead jazz.

Now that he's 60, there are few musicians who can match Alexander's youthful energy for bringing together different styles, and who do it with such heart and style. In this feature Alexander weaves a story that somehow brings together Sly & Robbie, Louis Armstong, Bob Marley and -- yes -- Roy Rogers.

As in all the pieces in David Schulman's CPB-supported Musicians in their own words series, the story is told through a mix of the performer's voice and music. There is no reporter's voice heard, allowing the feature to be seamlessly incorporated into station news, talk, or music programming.

Three mixes are provided for programming flexibility. For most purposes, the 6:10 'prime' mix is recommended. A 7:05 full mix and a 4:35 short mix also are provided. Scripts for intro and outro are attached, and may be edited at will.

This features does not duplicate any material heard in Monty Alexander: ENCORE ... on Bob Marley's Redemption Song.

This piece works well pegged to local performances. Alexander's tour schedule includes:

10/1and 10/2, Smoke Jazz Club, New York
10/29 Gainesville Friends of Jazz Series, Gainesville, FL
11/9 to 11/14, Dizzy's Club Coca Cola at Jazz at Lincoln Center, New York

This piece debuts on PRX. Hide full description

Monty Alexander broke in as a session pianist at the same place where Bob Marley made his first records -- Studio One, in Kingston, Jamaica. By the time he was 17, he'd moved to the United States, where jazz bassist Ray Brown took him under his wing. Alexander quickly became known as a fluid and entertaining player of straight-ahead jazz. Now that he's 60, there are few musicians who can match Alexander's youthful energy for bringing together different styles, and who do it with such heart and style. In this feature Alexander weaves a story that somehow brings together Sly & Robbie, Louis Armstong, Bob Marley and -- yes -- Roy...
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Piece Audio

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version 3

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Promos

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Broadcast History

This piece debuts on PRX.

Transcript

Keywords: Monty Alexander, Bob Marley, Ray Brown, Sly Dunbar, Robbie Shakespeare, Ernie Ranglin, Louis Armstrong, Roy Rogers, jazz piano, melodica, childhood, reggae, Jamaica, Musicians in their own words, WUNC, David Schulman
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Timing and Cues

Piece Title:
Monty Alexander: In his own words

Three mixes are provided, for flexibility. Tape time for
the full mix is 7:05. The prime mix, recommended for
most uses, is 6:10, and A short mix is provided that clocks in at 4:35.
All mixes end with a:14 music tail.

Add approx 1:00 for intro/outro

TAPE IN: (starts with music) "When you say rhythm ...."

TAPE OUT: Ends with :14 music tail
Last spoken words: "...play for the people."

Content Advisory

To avoid the appearance of FCC-prohibited "promotion for consideration," stations should avoid airing this feature in close proximity to any funding credit for a venue where the featured artist is soon performing.

Musical Works

All excerpts performed by Monty Alexander. Selections include "No Woman No Cry," by Bob Marley; "Mercy, Mercy, Mercy" by Joe Zawinul, performed with Sly Dunbar and Robbie Shakespeare; "Don'te Fence Me In" by Cole Porter; and "Mack the Knife," by Kurt Weill, Berthold Brecht and Marc Blitzstein.

Additional Files