WWOZ Street talk-Live at Vaughns: Stories from a Mexican Drug Smuggler
Series: WWOZ- Street Talk
From: David Weinberg
Length: 00:06:34
Its wednesday night at Vaughns and the place is packed, but tonight the smoky bywater bar is filled with an unfamiliar crowd. Dozens of law students from Maryland are drinking cold beer and eating barbeque before the show starts. But it is not Kermit Ruffins or Shamar Allen who will take the stage. Its Eppy Lopez, a former drug smuggler from a small border town in Texas. The students are volunteers who came to give free legal aid to the citizens of New Orleans and tonight they will hear Eppy tell stories about his 13 years in Louisiana state and fedaral prison. Eppy strolls up to the stage and makes the Microphone look like a toothpick as he adjusts it to his massive frame. But he is all smiles as recalls the artwork he created while incarcerated in Louisianna.
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Piece Description
Its wednesday night at Vaughns and the place is packed, but tonight the smoky bywater bar is filled with an unfamiliar crowd. Dozens of law students from Maryland are drinking cold beer and eating barbeque before the show starts. But it is not Kermit Ruffins or Shamar Allen who will take the stage. Its Eppy Lopez, a former drug smuggler from a small border town in Texas. The students are volunteers who came to give free legal aid to the citizens of New Orleans and tonight they will hear Eppy tell stories about his 13 years in Louisiana state and fedaral prison. Eppy strolls up to the stage and makes the Microphone look like a toothpick as he adjusts it to his massive frame. But he is all smiles as recalls the artwork he created while incarcerated in Louisianna.
Broadcast History
Aired the week of Thur. Jan 24
James Reiss
Posted on January 22, 2008 at 04:43 AM | Permalink
Review of WWOZ Street talk-Live at Vaughns: Stories from a Mexican Drug Smuggler
With its setting in Vaughn's, a lively bar in New Orleans; with its main character a convicted Mexican drug smuggler-cum-visual artist also known for his storytelling, you would think this piece would rock. As it turns out, ex-con Eppy Lopez, is a marvelous raconteur. Producer David Weinberg's introductory remarks indicate that Lopez is a great big fellow, who grasps the mic "like a toothpick as he adjusts it to his massive frame."
Once Lopez gets going, he's a goldmine. He describes himself as drawing tattoos for prison guards, who rewarded him with cigarettes, coffee, and art supplies -- "whatever I could get," he says. He describes being shunted from state to federal prisons, preferring the latter, calling it Club Fed, whereas state prisons were grim. He describes how, on being released after 13 years in the slammer with its drab colors -- imagine the uniform grayness inside a penitentiary -- he was bowled over by how colorful everything appeared. From the trees abloom in spring to a woman's dress with flowers he couldn't take his eyes off, Lopez may remind you of how much you, no jailbird, take for granted even the brilliance of red and green traffic lights.
As long as Lopez, with his mellifluous, slightly accented voice is center stage, this is fresh, outstanding street talk. In fact, he commanded the mic for more than an hour. Unfortunately, halfway through this piece, producer Weinberg shifts his attention to a couple of University of Maryland law school students. He asks these women why our prisons are so overloaded. One law student calls this a "socio-economic problem." He asks if the younger generation of law students will be better equipped to deal with crime, especially in the Big Easy, where criminals notoriously have wreaked havoc since hurricane Katrina. His attorney-to-be answers that she hopes so.
The second half of this piece is platitudinous and ho-hum. If only Weinberg had focused on Lopez, rather than segueing to interview law students and ask for their reactions and analyses, this would be first-rate. As it stands, the second half of this otherwise vivid piece is a dull prison-gray.