More from Sound Portraits
The Ground We Lived On
(00:11:32)
From: Sound Portraits
Journalist Adrian Nicole LeBlanc faces mortality and loss in recordings she made during the last months of her father's life.
My Lobotomy
(00:28:33)
From: Sound Portraits
One man's quest to uncover the hidden story behind the lobotomy he received as a 12-year-old child.
Bergen-Belsen
(00:03:49)
From: Sound Portraits
In 1945, the BBC broadcasted one reporter's description and field recording of a Shabbat service conducted on the grounds of the Bergen-Belsen concentration camp in the days ...
Tossing Away the Keys
(00:27:38)
From: Sound Portraits
Louisiana State Penitentiary inmate Wilbert Rideau's report on fellow inmates who are serving life terms without the possibility of parole.
Yiddish Radio Project Holiday Special, Hour two
(00:59:00)
From: Sound Portraits
Two self-contained hours of special programming based on the acclaimed ten-part ATC series, with a Web site filled with photos, features, background, and sound at ...
Yiddish Radio Project Holiday Special, Hour One
(00:58:59)
From: Sound Portraits
Two self-contained hours of special programming based on the acclaimed ten-part ATC series, with a Web site filled with photos, features, background, and sound at ...
Funding Spot:Tossing Away the Keys, with Dave Isay
(00:02:25)
From: Sound Portraits
Funding Spot:Tossing Away the Keys, with Dave Isay
Funding Spot: Witness to an Execution, with Terry Gross
(00:01:33)
From: Sound Portraits
Funding Spot: Witness to an Execution, with Terry Gross
Funding Spot: Vinney at the Sunshine Hotel, with Terry Gross
(00:01:34)
From: Sound Portraits
Funding Spot: Vinney at the Sunshine Hotel, with Terry Gross
Funding Spot: Nate at the Sunshine Hotel, with Terry Gross
(00:01:34)
From: Sound Portraits
Funding Spot: Nate at the Sunshine Hotel, with Terry Gross
Piece Description
"Holding On," hosted by National Public Radio's Susan Stamberg, contanins the 'best of' David Isay's Peabody Award-winning NPR series profiling dreamers, eccentrics and visionaries from across America. From the story of Jim Bishop who's devoted his life to building an elaborate medieval castle on a remote mountaintop in the Colorado Rockies, to elderly fox hunters in Texas, to a man in Washington who spends his days and nights obsessively entering everything he does into the world's longest diary, Holding On presents the stories and voices of American characters not easily forgotten. Ten of Isay's stories, originally broadcast on NPR's All Things Considered and Morning Edition between 1990-1994, have been compiled here for this special collection.
Broadcast History
Originally broadcast on NPR's All Things Considered and Morning Edition betweeen 1990-1994





Dmae Roberts
Posted on October 16, 2004 at 02:15 PM | Permalink
Review of Holding On
You can't get much better than David Isay as producer and for that matter Susan Stamberg as host. The production is sound rich and lively. The stories are personal and unusual. I think the individual stories would work well in any news magazine but as a special it's an odd length (1:13:28). You might be able to take out a couple of pieces to create an hour special. The Longest Diary piece was too happy frantic OCD for me. The better Pullman Porter piece ends short but then it segues into one of the most beautiful and heart-wrenching pieces I've heard - Tossing Away the Keys about lifers in Angola Prison. That piece alone is worth the whole hour. The Bell Museum piece is a welcome relief to the emotions of the Keys piece and is a pleasant musical piece. The Castle Builder is more of a traditional NPR feature. The Mississippi Jews fares better as a slice of life documentary. The Marriage Broker was a nice light follow-up. Great music on Dr. Hepcat though who'd a thought hep would be so quaint? Joe Franklin falls into the frantic happy category for me though I was glad to learn that the Saturday Night Live skits were based on a real person. And frankly, I can live without the sound of fox hunting which is the final story. Should stations run this as a special? Perhaps... if you can make the formatting work and if you like all the pieces. Should they run most of the pieces as features? Certainly! It's all a matter of personal taste and there's a lot to choose from.