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- Zwoelfzungen#5 Restless
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- Alessandro Bosetti
Zwoelfzungen* - Alessandro Bosetti, 2006
I like to listen to languages I don't understand.
I like the moment when the understanding of words stops and every language starts to "make noise".
All languages have a special sound, some more than others developed particular acoustic characteristics for the delight of a musician's hears.
For "Zwoelfzungen" I recollected recordings of eleven languages I'm not, or partially, able to speak and understand. Eleven languages I met in the past years, whose sound I specially liked. Moreover I invented a twelvth one, developed and learned during the past year and featured as a last installment of the series.
I made a piece of music with each of them, escaping from the meaning of words and concentrating on his specific sound, letting my ears concentrate and developing all sound details I'll be captured by.
Those pieces are not intended as features or documentaries, while I'm not inserting any explanatory passage on the context they are coming from. I'm use whatever compositional technique the starting material is suggesting suggest to me : tape collage, electro-acoustic processing, max/msp, low-fi sound devices and perfromr them live mixing my voice with prerecorded and realtime mixed electro- acoustic materials. I feel free to "misunderstand" each one of those languuages as much as I can.
"Zwoelfzungen" has been commissioned by DeutschlandRadio Kultur for the 2006's "Ger?usch des Monats?.
*"Zwoelfzungen", in italian "Dodicilingue" could be translated as twelve languages as well as twelve tongues.
#5 Restless (Mandarin Chinese language as spoken by Chen-How-He).
I have a friend / He eats fast / He talks fast / He walks fast / He treats himself (and his heart) fast.
There is a time when i am with him / Together we eat slow / Together we talk slow / Together we walk slow / I treat him (and his heart) slow.
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Piece Description
Zwoelfzungen* - Alessandro Bosetti, 2006 I like to listen to languages I don't understand. I like the moment when the understanding of words stops and every language starts to "make noise". All languages have a special sound, some more than others developed particular acoustic characteristics for the delight of a musician's hears. For "Zwoelfzungen" I recollected recordings of eleven languages I'm not, or partially, able to speak and understand. Eleven languages I met in the past years, whose sound I specially liked. Moreover I invented a twelvth one, developed and learned during the past year and featured as a last installment of the series. I made a piece of music with each of them, escaping from the meaning of words and concentrating on his specific sound, letting my ears concentrate and developing all sound details I'll be captured by. Those pieces are not intended as features or documentaries, while I'm not inserting any explanatory passage on the context they are coming from. I'm use whatever compositional technique the starting material is suggesting suggest to me : tape collage, electro-acoustic processing, max/msp, low-fi sound devices and perfromr them live mixing my voice with prerecorded and realtime mixed electro- acoustic materials. I feel free to "misunderstand" each one of those languuages as much as I can. "Zwoelfzungen" has been commissioned by DeutschlandRadio Kultur for the 2006's "Ger?usch des Monats?. *"Zwoelfzungen", in italian "Dodicilingue" could be translated as twelve languages as well as twelve tongues. #5 Restless (Mandarin Chinese language as spoken by Chen-How-He). I have a friend / He eats fast / He talks fast / He walks fast / He treats himself (and his heart) fast. There is a time when i am with him / Together we eat slow / Together we talk slow / Together we walk slow / I treat him (and his heart) slow.