Caption: PRX default Piece image
PRX default Piece image 

Revolutionary Community Radio, Venezuelan Style

From: Emily Howard
Length: 00:14:38

Voices of people involved in community radio in Venezuela Read the full description.
To hear the full audio, sign up for a free PRX account or log in.

More from Emily Howard

Caption: PRX default Piece image

Movement Headlines (00:07:11)
From: Emily Howard

Headlines from social movements across the country
Caption: PRX default Piece image

Movements (00:27:58)
From: Emily Howard

A news magazine devoted to reporting, learning from, and analyzing social movements.

Piece Description

In January 2006, I traveled to Caracas, Venezuela to learn about the bourgeoning community radio movement. I spoke with Sujatha Fernandez, a researcher from Yale, who was studying the movements of people producing their own media at the community level. She shared some of her experiences of traveling around the country and her encounters with different stations. We then travel to Macarao, Venezuela to Radio Macarao. Where we see what a community station looks like and how money from the community radio association helped them to find a new broadcast station. Finally, we experience Barrio Veinte Trec de Enero. It is a revolutionary barrio where the community has experienced extreme levels of political repression. We hear from the Director of Viente Trec's Radio Station, listen to some of the music they play and learn about the history of the political movement in the community.

1 Comment Atom Feed

User image

Review of Revolutionary Community Radio, Venezuelan Style

Emily Howard has an interesting and important story to tell about the proliferation of community radio stations in Venezuela. The piece is well-written and -recorded, though Howard makes no secret of her political sympathies.

More problematic is the loose, tacked-together presentation. The narrator first appears in a host-like role, then as a reporter describing a scene (sans natural sound) as she makes her way to a radio station. She then disappears for minutes at a time as we hear the strung-together remarks of interviewees and translators. The result is a piece that feels shapeless and hard to stay with, at least for this listener. A story of this significance would benefit from a good, rigorous edit--a much tighter structure and about half the length.