More from ERIC V. TAIT, JR.
Episode 13: The New York African Burial Ground
(00:58:56)
From: ERIC V. TAIT, JR.
The Battle to Preserve and Honor the New York African Burial Ground
Episode 12. Lincoln's Dilemma: Saving the Union or Freeing the Slaves?
(00:58:56)
From: ERIC V. TAIT, JR.
The NY City Draft Riots & The Battle of Ft. Wagner - July 1863
Episode 11. Signs of War: the Abolitionist Split
(00:58:56)
From: ERIC V. TAIT, JR.
John Brown, Frederick Douglass & Harper's Ferry
Episode 10. First-Class Citizenship
(00:58:56)
From: ERIC V. TAIT, JR.
Catherine "Katie" Ferguson, the Jennings Family, and the Battle for Full First-Class Citizenship (1830-1854)
Episode 9. Splits and Rifts
(00:58:56)
From: ERIC V. TAIT, JR.
Ruggles, Douglass and the Rise of the Abolitionist and Back to Africa Movements, & the Underground Railroad (1830-1854)
Episode 8. Self-Determination
(00:58:56)
From: ERIC V. TAIT, JR.
The Rise of the Black Church, the Black Press and the Fight for Education (1783-1830)
Episode 7. The Rebellion Within the Rebellion
(00:58:56)
From: ERIC V. TAIT, JR.
Huddy and Tye (1775-1783)
Episode 6. The Struggle Continues
(00:58:56)
From: ERIC V. TAIT, JR.
More Revolts, "Conspiracies," and Runaways (1712-1775)
Episode 5. Early Slave Resistance
(00:58:56)
From: ERIC V. TAIT, JR.
Slave revolts & resistance: New England / New York 1712, etc.
Episode 4. Almost Free
(00:58:56)
From: ERIC V. TAIT, JR.
Sussana Anthony Roberts, Solomon Pieters, and the Push for Personal and Economic Freedom (1664-1712)
Piece Description
"EVERY VOICE AND SING!" is hosted by NPR's MICHELE NORRIS. It looks at the fascinating and little-known history of the choral music and choirs preserved primarily by historically Black colleges and universities. The five-part series of stand-alone hours covers from the pre-Civil War period to the present. Episode Five: "A Joyful Noise!" Explores the careers/influence of such choral directors as Frederick Hall and S. Carver Davenport at Dillard, U., Drs. Nathan and Roland Carter, James W. Norris, William Henry Caldwell, Moses Hogan, and some new-generation directors like Eric Conway and Damon Dandridge; how they, and others, have come to terms with the power and reach of gospel music (even Kurtis Blow and Hip-Hop Gospel); how rhythm & blues/pop artists like Aretha Franklin, Sam Cooke, and Ray Charles, as well as the jazz-based style of Take 6, and the world-music sound of Ladysmith Black Mambazo, all connect to this Black choral tradition. How its influenced genres including Blues, Jazz, Afro-Cuban, Latin, and Jazz Vocalese.
Transcript
Links to Transcripts for all episodes are available at
http://www.evted2.org/EVAS-Summaries.php
Read the full transcript
Timing and Cues
A list of Musical Works and timings for all episodes is avaliable at http://www.evted2.org/EVAS-Music-List-and-Timings.php
Links to Timing and Cue information for all episodes are available at http://www.evted2.org/EVAS-Summaries.php
Timing & Cues for this episode:
00:00:01 INCUE: "This program is made possible by...
00:21:30 OUTCUE: ".... This is Every Voice And Sing! I'm Michele Norris."
(30-second solo piano music bed for ID)
00:22:00 INCUE: (Dillard Choir singing: ?Oh Freedom, Oh Freedom?)...."
00:40:00 OUTCUE "I'm Michele Norris, and this is Every Voice And Sing!"
(30-second Dillard Choir: ?Lift Every Voice...? as music bed for ID)
00:40:30 INCUE: "Music in itself is a healer ...."
00:59:00 OUTCUE: "... visit us at: www.evted.org. (Solo Piano theme music to last note resolution)




