- Playing
- The Imaginary Village
- From
- Homelands Productions
The Imaginary Village is a story about the longing for home. It is told almost entirely in the voices of Palestinians living in refugee camps in the West Bank and Lebanon. Some fled their villages in 1948; others only know those villages through the stories, photos, songs and maps preserved by their parents and grandparents. The voices are accompanied by an original musical score played on the oud, or Middle Eastern lute. Producer Sandy Tolan has been visiting the Holy Land for more than 15 years as a reporter and author. Over the years, he has been increasingly impressed by the depth and strength of the Palestinians' attachment to their homeland, despite the fact that they have not lived there in decades. That attachment, Tolan believes, is at the heart of the Arab-Israeli conflict, but is rarely covered by the press. Tolan is the author of The Lemon Tree: An Arab, A Jew, and the Heart of the Middle East (2006). Co-producer Melissa Allison is a graduate of the Salt Institute for Documentary Studies. The piece debuted on Transom.org on June 5, 2004. It is part of Worlds of Difference (http://homelands.org/worlds), a series by Homelands Productions that examines questions of identity, tradition and connectedness in a rapidly changing world.
Also in the Worlds of Difference series
Amuesha Map
(00:09:43)
From: Homelands Productions
In the jungle of Peru, an American anthropologist and an indigenous tribesman work against time to create a high-tech "cultural map" of the tribe's ancestral territory.
Roma Love Story
(00:11:32)
From: Homelands Productions
A Roma couple who married as teenagers campaign against child marriage.
Sarvodaya: An Alternate Path?
(00:10:59)
From: Homelands Productions
An enormous grassroots network in Sri Lanka seeks to provide an alternative to conventional economic development.
Maasai Education
(00:07:10)
From: Homelands Productions
After generations of resistance, the Maasai of Kenya are looking to education as a way to keep their culture from dying.
Ho'omau Ke Ola
(00:07:49)
From: Homelands Productions
A drug-treatment program on Oahu's depressed west coast uses traditional teachings to combat methamphetamine addiction among native Hawaiians.
Cotopaxi Pilgrimage
(00:05:45)
From: Homelands Productions
Native artists in the Ecuadorean Andes return to their people's sacred mountain.
The Street of the Cauldron Makers
(00:13:26)
From: Homelands Productions
A well-known Turkish novelist confronts her country's modern history on a nondescript street in Istanbul.
Resurrecting the Zapara
(00:14:33)
From: Homelands Productions
With just four surviving native speakers, a tiny tribe of Amazonian Indians tries to revive its dying culture.
The Free Monks
(00:06:40)
From: Homelands Productions
Jon Miller visits a nationalistic rock band comprised of Orthodox monks in Greece.
Competing for Souls
(00:07:00)
From: Homelands Productions
Producer Alan Weisman reports on how evangelical Christianity is spreading rapidly across South Korea, and coming into conflict with the traditional Buddhist culture.
Piece Description
The Imaginary Village is a story about the longing for home. It is told almost entirely in the voices of Palestinians living in refugee camps in the West Bank and Lebanon. Some fled their villages in 1948; others only know those villages through the stories, photos, songs and maps preserved by their parents and grandparents. The voices are accompanied by an original musical score played on the oud, or Middle Eastern lute. Producer Sandy Tolan has been visiting the Holy Land for more than 15 years as a reporter and author. Over the years, he has been increasingly impressed by the depth and strength of the Palestinians' attachment to their homeland, despite the fact that they have not lived there in decades. That attachment, Tolan believes, is at the heart of the Arab-Israeli conflict, but is rarely covered by the press. Tolan is the author of The Lemon Tree: An Arab, A Jew, and the Heart of the Middle East (2006). Co-producer Melissa Allison is a graduate of the Salt Institute for Documentary Studies. The piece debuted on Transom.org on June 5, 2004. It is part of Worlds of Difference (http://homelands.org/worlds), a series by Homelands Productions that examines questions of identity, tradition and connectedness in a rapidly changing world.
Broadcast History
This story was produced for transom.org, where it debuted in 2004.
Transcript
Imaginary Village Script
By Sandy Tolan and Melissa Allison
INTRO: Fifteen million people around the world live as refugees. And while the details of what drove them from home may be different, the longing to return is almost universal. Producer Sandy Tolan says he's witnessed that longing again and again in his visits to the West Bank, Gaza, Jordan, Lebanon and Egypt. As he has traveled and reported in the region, an image has remained lodged in his mind, of an old woman carrying the key to a house that was destroyed in 1948, in a village that was wiped off the map. Our next story is produced by Sandy Tolan and Melissa Allison.
Abu Hani: This is the map of Palestine, contains all of the villages before the occupation of 1948. All the villages of Palestine.
And this is the name of our village. This is our village
YOU COULD BE ANYWHERE IN THE WORLD, REALLY: DETROIT
OR SAN FRANCI...
Read the full transcript
Timing and Cues
INTRO: Fifteen million people around the world live as refugees. And while the details of what drove them from home may be different, the longing to return is almost universal. Producer Sandy Tolan says he's witnessed that longing again and again in his visits to the West Bank, Gaza, Jordan, Lebanon and Egypt. As he has traveled and reported in the region, an image has remained lodged in his mind, of an old woman carrying the key to a house that was destroyed in 1948, in a village that was wiped off the map. Our next story is produced by Sandy Tolan and Melissa Allison.
OUTRO: That piece was produced by Sandy Tolan and Melissa Allison for Homelands Productions. It is part of the Worlds of Difference series on global cultural change.
Musical Works
Original music was composed and performed by Mohsen Subhi Abdelhamid.





Mary McGrath
Posted on June 13, 2004 at 06:04 PM | Permalink
Review of The Imaginary Village
This is a lovely impressionistic piece rich with imagery and feeling. More than a story or narrative, it's a record of loss and it succeeds by working almost entirely on an emotional level. It's stirring and stays with you; it's maddening and confounding. Seen from here, the Middle East conflict looks impenetrable and the headlines simply repetitive and tiresome. Seen from the Imaginary Village, it seems much closer to home.