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Late (French) Summer

From: Marjorie Van Halteren
Length: 00:02:11

Poem composition to summer in France Read the full description.
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Piece Description

I made this piece now, in August, as an ode to my summer vacation in the Jura region of France. Poetry and sound. A good companion to my 20-year-old piece on this site, "Dead of Summer," about New York City. Suggested live intro: Marjorie Van Halteren is an ex-pat living in France. In August, she has time to eat, drink, taste, smell, and make radio art. This piece is an exclusive offering on the Pubic Radio Exchange.

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Review of Late (French) Summer

Starts off like an old familiar song from the past. Summer time and the living is easy indeed...The afternoon is alive and well. Insects jamming like sitars from the sixties...cool beverages being poured, waterfalls of sensory delights and indulgences that make the head swim. You get the feeling the pretty girl on the picnic blanket is going to get seduced allright, but not by the man on the bicycle (he smokes) but by all the intoxicating sights, scents, and sounds that gently embrace her like a soft summer shawl. Just the recipe to make a Late (French) Summer Romance blossom to it's fullest before Fall. I smiled from beginning to end on this listen!

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Review of Late (French) Summer

What a gem! Dreamy, impressionistic, the words and sounds are sparse, but give each of the senses just enough to evoke a hot, lazy day in the country. You see the yellows, the tree in the field, the smoking bicyclist. You smell the honey and feel the heat and grass. The producer's voice and production style fit the mood perfectly. I don't agree with the review that refers to Nordine & Anderson. To my ears the intentions of this piece are quite different, and much more rewarding.

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Review of Late (French) Summer

Marjorie Van Halteren's brief sound sculpture lives, quite comfortably, somewhere on the continuum between Ken Nordine and Laurie Anderson. It evokes less the French countryside in August than it does Van Halteren's attempts to comprehend what's around her. As such it's more interested in trying to render the mechanics of thought than presenting a conventional audio postcard. Polished and confident, the piece does offer a programing challenge because of its style and length. It needs to be carefully placed, but could be an interesting anchor for the right music mix. It is the sort of piece that might be overwhelmed by its neighbors.

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