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Piece Description
A mysterious woman in Portland starts a mix tape collective that makes it possible for strangers to trade music. Producer Joshua Gleason charts the course of one mix, made by Andrew Colston of South Portland, as it makes its way from creation to reception.
Musical Works
Babyshambles, "Fuck Forever," Album: Down in Albion (2005) label: Rough
Trade
The Detroit Cobras, "Last Nite" Album: Stop Me If You Think You've Heard
This One Before (2003) label: Rough Trade
The Twilight Singers, "East 17th" Album: Twilight As Played By The Twilight
Singers (2000) label: Sony
Sam Cooke, "Having a Party" Album: Greatest Hits (1998) label: RCA
The Carpenters, "Superstar" Album: Gold: 35th Anniversary Edition (2004)
label: UTV Records
Simon and Garfunkel, "The Only Living Boy In New York" Album: The Best Of
Simon and Garfunkel (1999) label: Sony
Hakan Hellstrom, "En midsommarnatts dr?m" Album: Kann Ingen Sorg For Mig
Goteborg (2004) label: EMI International





Anthea Raymond
Posted on July 30, 2006 at 10:16 PM | Permalink
Review of Andrew's Mix
Three Stars
Esther (an alias) is the personable proprietor of Esther?s Mix Tape Collective. Members put together party tapes and send them to Esther. She posts them off to others in the collective likely to be appreciative.
Simon and Garfunkel, interestingly, are the artists most ?mixed? by the collective. There?s lots of music in the 6 minute plus piece too: some Carpenters, the Strokes, and Hakan Helstrom too.
The segment?s lots of fun ? as is the idea of a mix collective. It?s extremely well-produced and lively. Nonetheless, I wanted to hear how Esther got the idea for the collective, and about the challenges of running it. I would also have liked to hear what members get that the radio, iTunes, and other music sources don?t provide.
This material would have added some balance and resonance.
Esther?s Mix Tape Collective might be a hip cutaway to jazz up one of the national newsmagazines. Localize by back announcing a local tape swap or other music sharing event, now happening frequently.
Anthea Raymond
PRX Editorial Board
July 30, 2006
Los Angeles