From Susan Barrett Price
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Producers: Susan B. Price

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Review of The Valentine 1955Very powerful,and the skillful, understated use of music and sound magnifies the impact. PDs, I'm having a hard time hearing how this piece might fit into you program stream, but if you can manage that feat, you've got a driveway moment -- albeit a disquieting one. |
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Review of The Valentine 1955This is very effective radio. Simply done, a story told with just enough ambience to set the scene. It could have been much longer but the producer was smart enough to make it short and devastating. |
Variety of local public radio stations across the US, Ireland, Philippines
I grew up in an old city on Huckleberry Finn's river. When I was seven, my city was in trouble. Poor colored folks - tired of sharecropping - came looking for prosperity and flooded into our working class neighborhood. The city fathers had no plan, no wisdom to offer - only the politics of fear.
There were 62 children in my first-grade class and 15 were what we politely referred to as Negroes. Valentines Day. I can still hear the hiss and clank of radiators, see steam collecting on the tall windows in the crowded old classroom.We all brought valentines to exchange at 2:00. I was given 47 cards. "No need to give valentines to colored children," I was told. "No one will notice if you skip over them."
2 o'clock. Time for the big card exchange. First-grade frenzy: everyone tossing cards into one another's collection envelopes. But before I made a move, the very brown Lucille Washingto...
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Segment 1 (00:02:20)
(Music was composed of royalty-free loops.)
Laura Wiens
Posted on February 27, 2005 at 12:08 PM | Permalink
Review of The Valentine 1955
This piece uses music as background almost all the way through, but its use feels nonetheless very sparing; I was pleased that it never distracts the listener from the deep, textured voice of the speaker. The piece is of a perfect length-- the producer manages to bring us back to the heart of the fifties racial tensions in a matter of 2 short minutes-- and the final twist in the narration is haunting but very satisfying in a way that unsaccharine endings are.
This would be a good piece to play on any show on desegregation, and on Valentine's day, to illuminate the topic from a very different angle.
Highly recommended. (I might add that although I chose "raw" as one of the adjectives, I am referring to the ambiance of the piece and not the sound quality, which is very professional.)