From Homelands Productions
| Part of the Worlds of Difference series
| 00:18:06
Producers: Sandy Tolan, Melissa Robbins

This story was produced for transom.org, where it debuted in 2004.
Imaginary Village Script
By Sandy Tolan and Melissa Robbins
INTRO: Fifteen million people around the world live as refugees. And while the details of what drove them from home may be different, the longing to return is almost universal. Producer Sandy Tolan says he's witnessed that longing again and again in his visits to the West Bank, Gaza, Jordan, Lebanon and Egypt. As he has traveled and reported in the region, an image has remained lodged in his mind, of an old woman carrying the key to a house that was destroyed in 1948, in a village that was wiped off the map. Our next story is produced by Sandy Tolan and Melissa Robbins.
Abu Hani: This is the map of Palestine, contains all of the villages before the occupation of 1948. All the villages of Palestine.
And this is the name of our village. This is our village
YOU COULD BE ANYWHERE IN THE WORLD, REALLY: DETROIT
OR...
Read the full transcript
INTRO: Fifteen million people around the world live as refugees. And while the details of what drove them from home may be different, the longing to return is almost universal. Producer Sandy Tolan says he's witnessed that longing again and again in his visits to the West Bank, Gaza, Jordan, Lebanon and Egypt. As he has traveled and reported in the region, an image has remained lodged in his mind, of an old woman carrying the key to a house that was destroyed in 1948, in a village that was wiped off the map. Our next story is produced by Sandy Tolan and Melissa Robbins.
OUTRO: That piece was produced by Sandy Tolan and Melissa Robbins for Homelands Productions. It is part of the Worlds of Difference series on global cultural change.
Original music was composed and performed by Mohsen Subhi Abdelhamid.
Mary McGrath
Posted on June 13, 2004 at 06:04 PM | Permalink
Review of The Imaginary Village
This is a lovely impressionistic piece rich with imagery and feeling. More than a story or narrative, it's a record of loss and it succeeds by working almost entirely on an emotional level. It's stirring and stays with you; it's maddening and confounding. Seen from here, the Middle East conflict looks impenetrable and the headlines simply repetitive and tiresome. Seen from the Imaginary Village, it seems much closer to home.